How about a linear narrative, a three-stage structure, and a bright ending, so old-school orthodox and neat? The topical and dramatic sensation of real events is at its peak. In fact, it is more necessary for art works to be "derived from life above life" and to be simple and simple, just like a rare and beautiful dress that does not need extra secular jewelry to set it off. Otherwise, that The light of the world will surely take away this rare beauty!
The epic-level scene scheduling and the hall-level group play are truly casual and do whatever they want. One more point is vulgar, and one point less is dignified. Uncle Si's familiarity with narrative has long since reached the level where flying flowers and fallen leaves are all swords. Characters, dialogue, editing, mirroring, scheduling, and music, turning hands into clouds, covering hands as rain, are all delicious and harmonious. Aunt Mei's acting skills are extremely powerful. This strength does not stem from the character's strong aura, but precisely from the character's fragility and hesitation, as if Sophie, who had the highest acting skills in the past, could no longer be surpassed since then. Let's publish on the phone, let’s publish!, the right hand raised up after hanging up the phone, unsure of right or wrong, closed eyes that don’t want to think again but can’t help but worry deeply,... these subtle and imperceptible subtleties The micro expressions of the actions will be engraved into the hall of acting every moment, becoming an example of the yearning, looking up and worshipping of future generations.
The moment the newspaper went to print, I thought of Schindler's creaking typewriter. After so many years, the film has changed a lot, but it still steadfastly presents the most precious and precious light in human nature; the audience has changed from time to time, and they are still tearing their eyes for this rare light.
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