The Epic of the Craftsman (Artisan-Artist-Crafting Item-Artist-Harlequin), with war almost in its background;
Construction, icons, and bells, these things used to be the center of people's lives (major events), is it religion that brings happiness to people, it is a kind of amazement and joy at creation;
The movie has a huge capacity, as well as stunning scenes, which will be unforgettable: the casting of the bell, the harlequin, the pagan festival, the Tatar war, the flight of the hot air balloon; the pagan festival allows us to see the real Walpurgis. Night; the Tatar War - the real war, the impressive Tatars - the movie is so grand, open and concrete;
Concrete scenes build grand structures;
What kind of ups and downs did the artist go through to be able to work? Is it the same for the other Andre? Maybe he is more like a young bell-caster, groping for himself to complete the work, find the way, and be full of grievances at the same time; but every four years So smooth, no trace of turbulence;
Berruger peasant paintings, mixed with film impressions, as well as Abbas's 24 frames, Bergman's smoothness;
Icon painter, bell-caster, house-builder, artisan who masters the mysteries of technology; the epic of the artist, the world of the craftsman; painting, sculpture, architecture, the same method, the same thing - making things;
Surprisingly and unexpectedly, Lublev did not paint the icon, but focused on the process of casting the bell - a poetic way, from which we have understood the process of painting the icon;
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