The Girl with a Pearl Earring oil painting summary and Easter eggs

Roselyn 2022-03-21 09:01:58

Many of the paintings and scenes in Girl with a Pearl Earring can be found in Vermeer's work.

The treasure of the town film first

girl with a pearl earring

The costumes of the characters in the film also follow the settings in the crude oil paintings. For example, in the picture below, the head maid in the movie is very similar to this work by Vermeer

maid pouring milk

The scene where the wife plays the piano can also be found

woman standing in front of a virgin

The one of Mrs. Gold

woman wearing pearl necklace

And that satin red dress

girl with wine glass

Painting of a maid standing by the window

woman holding kettle

In addition, when looking at Vermeer's works, I also found some small easter eggs. The one below, this hairstyle, looks like a bankrupt neighbor girl

sleeping girl

This piece is probably the prototype of the wife in the play, pay attention, she also wears pearl earrings

young woman portrait

There are also many women in Vermeer's work with pearl earrings, and from a cinematic point of view, these women are well-dressed, presumably young wives. Vermeer should have loved his wife very much, and created many works based on her. So when he used a maid as a model and wore the pearl earrings that his wife had worn, his wife's hysteria was understandable.

Come to think of it, the women in this movie are all poor people. The maid could not be loved, the wife was indifferent and alienated, and the mother-in-law was not a person on either side.

It's a delicate and colorful film.

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Extended Reading
  • Charity 2022-04-23 07:02:14

    The picture music seems to be highly regarded, I don't think it's good or bad. There are several possibilities for thinking that the movie is good. I eat too much garbage, so I lose my aesthetic ability and I can’t tell the difference between good and bad; I have no aesthetic ability at all. People have reached that level.

Girl with a Pearl Earring quotes

  • Catharina: [in tears] Why don't you paint me?

    Vermeer: Because you don't understand.

    Catharina: [gesturing toward Griet indignantly] And *she* does?

  • [after cornering Griet]

    Van Ruijven: [maliciously] Ripe as a plum, still unplucked.