GYPSY one brush
The title of the film crosses the line, in various senses.
I spent a whole night and couldn't extricate myself to read it roughly, which is also a kind of "cross-border" behavior. A lot of plots were skipped. According to personal adrenaline and dopamine, I have basically been chasing the relationship between my aunt and the little wolf dog. I may have skipped a lot of conflicts and essences, but the multi-line narrative of the story is intertwined and connected, and the subject matter is different. Profound, reversing the foreshadowing subtext, it is enough to hit the heart directly.
Thanks to my friend Amway, this is actually the second time I picked up this drama. The first time I watched it, I stopped at the consultant part of the first episode. At that time, I felt that the actress's acting skills were not good, and I felt that I was a bit unprofessional as a consultant. The demeanor, this time at the end of the breath, only to find that this superficial "unprofessional" is precisely the source of all dramas - Jean, or Diane, doesn't know how to control that boundary.
The most obvious "cross-border" is emotional, E7's two-way derailment really stimulated my blood (I don't know if the word is accurate or not). She used the word "escape" repeatedly when she was with Sidney. At first I thought that the inner line I was going to take was to help the ascetic old aunt regain her true self, but the more I got behind, the more I thought: the word escape itself is very clear Question ah? After all, what did Jean, who became "Diane", think of Sidney? A blissful place to enjoy when she's overwhelmed?
Diane and Sidney's romance has been a grand cross from the start, with glimpses in the coffee shop, alcohol, marijuana, music, dancing, and Diane Hart's elaborate background characters, and Chance Chanel perfume crocheted into an incisive affair, a delicate and thrilling fantasy. But in the end, it was the elder who retreated, and the girl who was charmed and pretended to be a charmer had to stay in place and watch all the close people gradually drift away.
In fact, I think the only character in the whole show that doesn't cross the line is Sidney. She lived a transparent and straightforward life, enjoying the moment and despising all kinds of planning and stereotypes. Her relationship with Diane is completely upright and bright on her side. She broke up with her ex-boyfriend, she knows what she wants, and she hooks up boldly. When Diane hesitates during the probing period, she is angry but has the courage to stop the loss in time. . She will work in a coffee shop to pay the rent for her dream of music, she will also take a week off to record the demo, and she will skip work to meet her beloved.
Diane is always the only one who looks forward and backward. Ever since she created the pseudonym Diane Hart and her seemingly impeccable background, I've been looking forward to when she'll tell Sidney the truth. But she didn't, and she didn't even get to the last episode. Every time I thought she was going to let her guard down for Sidney, she always paved the way for herself: "Ex-husband" Michael, called his daughter a nephew, and I don't know if it was a headache that I really forgot or deliberately forgot the phone password , "Sister's Car"...
(Double personality is indeed a very good explanation, and I will pay attention to the details when I do the second brush.) I saw some people say in the drama reviews that Jean has multiple personalities. In fact, I didn't think of this when I watched it personally, because I think there is still a big gap between her state and schizophrenia. I am more inclined to think that "Jean", a psychologist who is rational and mature and has perfect self-control, is the main body who controls the heroine's personality, has a decent and serious career, lives a middle-upper-class life with a nine-to-five step-by-step, handsome and steady lawyer husband, Lovely daughter....everything is "the way she thinks she should live". And the identity "Diane" fabricated because of meeting Sidney is just a young self that has long been forgotten in Jean's consciousness, but Jean re-sees that part of her lost self on Sidney, and just happened to be under pressure. The routine needs to be free and unrestrained, and the spark between her and Sidney is also ignited (mainly, the little wolf dog is so good at flirting!!!! I can also do it! Manual dog head)
And in the last intriguing anti-bullying speech, Jean finally revealed his identity as a psychologist, in fact, he was re-establishing that boundary with Sidney. (It's really scum!!! I'm so pissed off, I feel like I lost all night to this blackened auntie! Ah, but that look in the end is absolutely amazing) (Additionally: Aunt Naomi is really beautiful, The more you look, the better!)
The second is professional. As a psychiatrist, Jean always gets herself emotionally involved in her patients' stories, conflicts, and relationships. If it's just too much empathy and control for Allison and Claire, then it's really an "abuse of power" for poor Sam. Yes, she may be a highly skilled psychologist, but she was never a professional psychologist. (Oh my God, New York is such a big city, Jean, how did you fall in love with your patient's ex-girlfriend with a heart attack!)
In addition, the husband's derailment and the daughter's gender cognitive impairment also reflect the theme of "crossing the line", which are all points worth discussing.
In any case, this is really a drama in which every scene, every line, every eye interaction, every bgm song is worth scrutinizing, and I will definitely watch it again. (Flirting is a textbook level ah ah ah ah)
(It’s really hard to be cut down, and the crowdfunding billboards are all gone. It’s hard work, you old fans? Let’s squat for a second season in our lifetime...)
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