I've seen the best of Bergman, and it's hard to imagine what it's going to be like when Bergman makes a movie like this. Two people are one person, or even not one person. "The best is always the next kick doesn't seem very applicable here", it is even more tempting than Bergman's peak "Wild Strawberry", more full and delicate than "Eight and a Half". The highest temperature rises, even in the northwest, and the sky is clear. I stand in the yard with my head up and I ask myself or just think: do you feel it, see it? The sun, the moon sets and rises. There seems to be an eye in the blue sky, which is so big that it is boundless, it is the sky. Soaring birds? Soaring and seemingly out of sight. The world is also under the eyes, but again it is like the eyes and the face that you can see in front of a mirror. Still looking up, occasionally in a trance. If the face is torn off without a drop of blood, will the surroundings change, what will the sky eye look like, or is it still there? I have no idea. This face, or a skin, a skin that can gradually loosen. It looks like it can take any weight. That eye and a face are complimenting each other. Harmony as can be in front of a mirror, but often shocking and unbelievable, putting them together feels chaotic.
Those classics that are praised by people and the beautiful-----"soul" seem to sink into the soles of their feet at this moment. Is it because the face or the skin and the eye that wraps the world are the sky that it can stir? Like the soaring bird?, but the body seems solid as a rock. How long will this all play out, right now? to night? lifetime? Or is it just incomprehensible and absurd? I do not know either. ……………………
Both feet were covered with mud, and in his hands he was holding a slender branch of unknown flower.
I recently watched Bergman and some people, and I was shocked. Movies can have the same charm as words, or even more unique. thanks
View more about Persona reviews