Akira Kurosawa's exclusive rhythm

Devonte 2022-04-19 08:01:03

With Heart Stick (Akira Kurosawa), Eisenstein found inspiration by looking at kanji radical combinations and Japanese Kabuki performances and Noh while thinking about film montages. Understand the meaning combination and rhythm of montage. The stylization of Akira Kurosawa's films is precisely that he combines the sense of rhythm in the Japanese Noh Kabuki performance art with the language of the film, and achieves a certain harmony inside and outside. This kind of harmony is only found in Kurosawa's films. Especially with stories like Heart Stick, and his films are always filled with a kind of fullness that is ready to go, like the tension of the samurai all the time. It is good that such full emotions cannot be discouraged. This is somewhat different from the martial arts films in our country. Like Tsui Hark, he pursues a romantic feeling that is both real and illusory. Akira Kurosawa's films are the pinnacle of his aesthetic style, and each one is a rare treasure.

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Yojimbo quotes

  • Hansuke: Samurai, wanna make some dough as a bodyguard? The going rate has hit the roof. My commission's one ryo. Which side will you take? Seibei Manome runs a brothel. All the women you want. But he's going downhill. I'd bet on Ushitora Shinden. The inn at the corner. That's his place. Tell him Constable Hansuke sent you. I'd take you myself, but I'm the law around here. Don't forget, now. I get one ryo.

  • Gonji - Tavern Keeper: There he goes again! The casket maker. Only guy in town making any money. Can't make coffins fast enough. It's best not to have any gamblers at all. One boss to a town we can tolerate, but two is a disaster. Only the casket maker profits from that. Knock it off, you bastard!