Virtue's doom

Burdette 2021-11-17 08:01:27

I think one sentence is enough to evaluate this movie, and that is: the doom of virtue.

Nicole Kidman's beauty is unquestionable, but her performance is so lacking in levels, lacking the emotional expressiveness and explosive power that gradually progresses to climax.

First spoiler: a woman fled to a small town because she was chased by a gang. People in this small town agreed to accept and hide her. One of the writers, Tom, even fell in love with her. Women gradually merged into this small town. She believed that as long as she had enough virtues, she could get virtues in return. She tried to use her virtues to infect this small town and make it a small garden of Eden---but, with the situation With the development of the city, the residents of the town gradually exposed their hypocrisy, blindness, greed, selfishness, coldness, evil... and so on. One of the residents raped her while the police came to search for her. She wanted to escape and gave the money Tom gave her to the truck driver, but after the truck driver raped her on the way, he took her back to Dogtown again. People chained her to prevent her from escaping again.
From then on, every woman, child, can come to humiliate her, and every man can come to her to vent his desires at night. Finally Tom came, and he wanted to take her too-----but she refused. At this time, Tom, who represents love and only hope, rebelled-he took out the phone number of the gang leader he secretly collected... The story suddenly turned here, it turned out that the gang leader is the woman's father . Because women have lived in violence and vendettas, struggles for interests and power since they were young, they are full of yearning and expectation for the truth, goodness, and beauty of human nature. She didn't want to get along with her father, so she chose to flee. When virtue began to wander, what happened to her?

Only insult, damage, and destruction.
At the end of the story, the woman asks her father for power: "I want it now!" Her father said: "Maybe we can kill a dog first and nail it to the wall, it will work!" "No!" The woman said, "This village can disappear. There is a family with children." She paused, and then said, "Kill the child first, tell his mother to watch, and tell her if she can bear not crying, stop? "

After all the people were slaughtered, only the frightened Tom, who had passed her back and tried to defend her, was left. She raised her gun and pointed it at him: "Goodbye, Tom!" In the
end, there was only one dog.

This brings me to a sentence: The more people I know, the more I like dogs.

I have watched Li Yinhe’s comment on this movie. I feel that Teacher Li's generalization is too one-sided. She thinks this film is depicting the poor, and she thinks that poverty is a sin-to the effect. This understanding may be too one-sided. This film is a fable. I think it is not a political fable or a class fable. It is a fable of human nature. It describes and attacks the entire human race, and it attacks viciously, viciously, accurately, and absolutely. Give no hope.

It is said that the director wanted to make "American Trilogy", but the film was not made because of depression. No wonder, I'm afraid of depression when I watch this film more than once.
He doesn't like people at all, and he doesn't like himself very much.
Maybe he is correct.

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Extended Reading
  • Carmine 2021-11-17 08:01:27

    You deserve all these awards. Jiang Wen is to avenge his personal revenge, "Elephant" (although it is also very good) but...

  • Cleve 2022-03-21 09:01:44

    The real Virgin sees herself as a perfect human being and treats others (the poor) as dogs. People cannot bite back at dogs. Grace's pride protects everyone in the town. Once she realizes that others are also human, with the same personality and soul as herself, why not demand others with the same moral standards, her belated respect for others turns into the most violent and quick fire of revenge. Grace is indeed no different from the people in Dogtown, she no longer refuses to admit it, it doesn't hurt, everyone is human. Tom's role is worth thinking about, and the gun is always acting. I have seen a lot of film reviews from different angles, and this film is a highly interpretable overhead text. PS: The little boy with SM tendencies is really memorable.

Dogville quotes

  • Narrator: [as McKay explores even further with his hand] It was not Grace's pride that kept her going during the days when fall came and the trees were losing their leaves, but more of a trance like state that descends on animals whose lives are threatened - a state in which the body reacts mechanically in a low tough gear, without too much painful reflection. Like a patient passively letting his disease hold sway.

  • Narrator: [as Grace attempts to make her case] If forgiveness was close at hand in the mission house, they were all hiding it well. It hadn't been easy for Tom to get them there. Appealing to consciences stowed farther and farther away by their owners every day, as if they were as fragile as Henson's glasses after polishing, proved quite a task. But if one was going, the others might as well come along too, so nobody could talk behind anybody's back.