sad keaton

Afton 2022-04-07 08:01:02

In fact, Keaton's films have always brought me joy and creativity, as well as the positive energy that has always been there! It is always giving me a positive force, which is joyful and upward! Even the sunshine at the end of the only tragic short film "Daydream" before, I feel that there is upward power. But in this one, even though the ending brought a reversal to Dundun's character and gave him a happy ending, I was inexplicably saddened. It was too sad and too humble to be inside. Although the previous works are also very miserable, they are clever little ghosts! Hum ╯^╰! Maybe this one is a little more realistic, substituting Xiao Dun into reality a little bit, so that clumsy Xiao Dun will be considered an anomaly. But his destructive power is really strong! That's why... I sacrificed a little bit of creativity, but the story was complete. But, think about the previous? It's cute to be with Keaton all the time! Thinking about it is a little relieved. But this movie is more about making me feel Keaton's loneliness. At first, he was clumsy and lonely, and even if he was recognized later, his expression was still a little bewildered. Maybe he was at a loss for what he wanted to integrate into the crowd. After all, it has been unwelcoming before, how do you suddenly enter?

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Extended Reading
  • Verlie 2022-04-07 09:01:08

    Quite an interesting film. The jokes are dense and the plot is very subtly woven into the camera. The section of changing clothes in the swimming pool is simply a stroke of genius, making people laugh from ear to ear. The funny little monkey and the unscathed dodging of the Chinatown shoot are the highlights of the film. The biggest highlight of the play is the delay of the climax, and the successful creation of the hero saving beauty and misunderstanding in the final scene, cleverly using the camera to capture it, and letting the truth come out through the final screening, which gives the audience a stronger sense of satisfaction.

  • Bell 2022-04-11 09:01:07

    70 min / Int. fr. / 35 mm suivi de Buster Keaton, cinéaste sur un fil. Table ronde Avec Pierre Étaix, Thomas Salvador et Jean-Philippe Tessé. animée par Bernard Benoliel.

The Cameraman quotes

  • Office Worker: What are you doin'... givin' me a sleigh-ride?

  • Buster: Where's the fire? Up there there's a fire down here, they said.

    Cop: In which house?

    Buster: No! It's not in a which house... it's in a warehouse!

    Cop: Now... where is it?

    Buster: Where's what?

    Cop: Where's the which house? I mean... which's the warehouse?

    Buster: Which warehouse... where?