This is the first time WKW has made an English film. For the first time, there is no Tony Leung, no Du Kefeng's photography, but Norah Jones (I have listened to her music for two years), Portman, the actor of the beautiful British man Jude Law. The photographer who has become the "Seven Deadly Sins" seems to have a major change in style, but at the beginning of the film, the ambiguous colors of red and dim yellow, the subway passing through the night and the dim street lights, the blues jazz, the king-style dialogue style, the melancholy protagonist, It's instantly reminiscent of his other films. The first part is the encounter between elizabeth (jones) and jeremy (jude). Norah, who was abandoned by her boyfriend, and Jude Law, who comforted her and fell in love with her. The film is sad but tender. The way he smokes in the wind is really similar to Tony Leung. The dialogue about the key and the blueberry is unique, both of which are supporting roles in the film, throughout Bethe's 300 days of slowly moving away from New York. The second paragraph is the story of Beth's part-time job in a bar, the feasting and feasting, and the story of a couple who love each other and hate each other. It's very touching. This time Rachel Weisz's temperament is really like Maggie Cheung. If one of the people who used to love has no feelings, then it is best to let go of each other. Otherwise, when he continues to be crazy about her, the tragedy will not be far away. The third paragraph, Portman's showtime~, a rebellious, stubborn and smart girl, walking under her own depravity, she took beth (or beth took her) and drove a sports car across the highways of the western United States , went to see his father in Vegas, but stubbornly believed that his father was in the hospital to lie to him, and in the end he could only cry beside the body. Of course, in the end, Beth went back, walked past her boyfriend's window, and saw the sign for rent. She seemed to finally be relieved. She returned to the restaurant opened by Jude and happily ate blueberries. And Jude finally threw the key and kissed her happily.
There are always a lot of classic dialogues in WKW's films, I can't remember English well.... remember the approximate meaning
jones asked jude why he didn't throw the key away, jude: throw it away and the door to that room will be closed forever. Finally Jude asked why he threw it, jones: no one went to that room even with the key. Jude: Better than leaving the door open and no one ever coming!
jones asked why Jude didn't go to her, Jude: "She said that when I got lost, let me stay where I was and let her find me." Jude finally waited for her, but things went wrong.
jones asked Jude for the first time: why no one wants to eat blueberry pie and you still want to make it, Jude: People don't like blueberries, but you can't blame blueberries, it can't be chosen by itself. So jones fell in love with eating blueberries (like Takeshi Kaneshiro in "Heavy" who likes to eat canned pineapples); later, when jones came back, the seat on the stage was reserved, jude kept it for her, and the blueberry pie that she made every day and then thrown away .
Jude repaired the camera in the store, and jones said that even if it was repaired, it would not prevent your store from being stolen. Jude: I prefer it to be open all the time, as a diary to record my life.
Jones didn't know how to leave someone she couldn't live without, and wondered how Rachel Weisz could leave a town she couldn't live without.
Jude called each bar and asked if elizabell was there, got a guy who was elizabell, he blalbla said a lot, then said i know you're not that elizabell, but i still want to say this...
and a lot more , Portman's conversation with jones, but actually watching WKW's film is still a feeling... But this seems to be different from the direct and refreshing style of foreigners. The film was released on the 28th, and the scene at 18 o'clock last night. There are still quite a lot of people, and it seems that the French still like the king quite a bit.
The final shot, the movie theater is an extra-large widescreen, with their heads on either side of the table, très doux
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