In the script written by the old man at the age of 80, although the plots such as rain, chance encounter, coincidence, etc. are frequently used and old, the four main characters in it are still written quite clearly. The intricate emotional relationship is written in the United States. The first player, I feel at a normal level of performance, the music is not particularly impressive, but it does not hold back, and it is quite satisfactory. It's strange that all good American actors will automatically have a strong "Woody" type of performance under the lens of Woody Allen. In fact, it is quite enjoyable for the actors. Winterless's performance in this film makes One thinks of Blanchett's performance in "Blue Jasmine", both are good actors, and the role types are similar, both are neurotic, fragile, restless, paranoid, and "Woody Allen" type ramble (though Blanchett's character in "Blue Jasmine" is based on Tennessee's "A Streetcar Named Desire") it would be interesting to compare the performances of the last two. In addition, the most "poor" character in "Ferris Wheel" should be the Hamdi. (waves hand) The open ending and the arson-loving little boy in what could be described as an emotional farce with an "intense" plot would help the film's overall blankness. It's good to watch it as an emotional sketch.
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