This is a low-budget Indian film. It does not have the singing, dancing and metaphors we imagined. Instead, it tells the story of a man trapped in a small room and rescued through his own efforts from the perspective of a third person. It can be roughly divided into three parts. The first half The story of Duan is flexibly integrated into the plot. The middle is the core and climax of the whole plot, and the ending is more about the state of the male protagonist after experiencing this incident. The style of the film tends to be documentary, using a large number of simultaneous sounds, and even the rhythm of the same sound as the background music, such as the sound of a man hitting an iron railing with something, even if the camera is switched to the past, this percussive background music will continue for a long time, adding There was an invisible sense of anxiety, as if being in the room with the man. The lens scheduling network is very directional, giving a lot of close-ups and close-ups, suggesting clues, the strange lens style and the real sound of the same period add to the mystery of the film and at the same time there is no lack of rationality, but even so, we still have a hard time Guess what's going to happen in a man's next second. This drama is also very good in the psychological analysis of men. In the first half of the movie, my impression of the male protagonist is that he is sloppy. Because of his stubbornness, his self-concept is too heavy. The rules of living alone in the room have been settled, and he has also reached a reconciliation with his former enemy, the mouse. After the male protagonist was rescued, his state was much calmer, and he returned to the room where he had been trapped to see the iron railing that was broken by his own efforts. , signifying his acceptance of everything.
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