Through Yuan Xiangren, I remember seeing this movie when I was very young - of course, I didn't know Yuan Xiangren at that time, but his "funny" left a deep impression on me.
I have seen a lot of Yuan Heping's work tidbits and work photos, and I think this person is a calm, serious and serious filmmaker, and it is difficult to associate him with "funny". However, in the "Yuan Heping's works" I have seen, all of them play the "funny" card, and many "action funny" are even more classics. Perhaps, the "funny" effect is often made seriously and seriously, and the "funny" itself is not "funny", and Zhou Xingxing is a typical example. Of course, many of today's "funny" seem to be "made out" without heart, which is most seen in TV variety shows. "Attention" and "funny" are getting less and less.
The film's interpretation of "Zhang Sanfeng" ("Sanfeng", also "Three Crazy") also makes people squirt, showing the "ghost horse" nature of Hong Kong filmmakers. In my eyes, this interpretation is comparable to Fatty Wang's "Five New Shaolin Patriarchs" (the "Five Shaolin Patriarchs" turned out to be five stinky children), which is wonderful.
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