Adele and Emma met, fell in love, quarreled, reunited, and went away. Anyone who has been in love will probably see their flushed face when they are in love, and the heartache that they can't breathe when they fall in love. It looks like a documentary tracking perspective, but the lens is so detailed and gentle, aiming at the smallest breath in life. We can't help but fall in love with this reckless and full of vitality Adele, she seems to be a child who broke out of the ground, so vivid.
The whole film perspective revolves around Adele, and we watch all her life like voyeurs. Beautiful, not so beautiful, private, not so private. Adele is like a kind of girl that often appears in my life: neither ugly nor beautiful, nor impatient nor impatient, not ambitious, nor ambitious, just living so day after day.
Many close-ups shot Adele going to bed, writing a few diaries in bed before going to bed, eating pasta, and looking up at the sky. We thought what would happen when she slept, or what she would say when she ate pasta, but nothing. She just sleeps and eats pasta. Emma has a strong ambition for life, has talent, and has the determination to let her talents be expressed and seen. Adele, 15 or 6 years old, said she likes literature and reading. The audience probably gave her a label of "literary young woman", and Emma also said, "You like to write. You should try to write short stories." What do you do to write short stories, publish them. What does publishing do, let others see your talents, and prove your talents to the world. Adele didn't disdain to do this, but she really didn't have that kind of expressive desire. Emma mentioned existentialism and said she agreed with Sartre that people prove their meaning through choices and actions. After hearing this, Adele just grinned in the sunny park and continued to eat a delicious hamburger. She had no need to prove her own meaning, or you can say that she has no sense of absurdity---the absurdity of life The search for meaning and meaning is not in her dictionary, she is just a plant that can grow wildly, not asking for expression or meaning. She cares about the most direct things-eating and sleeping, making love, having sex, eating and sleeping. "Second" and "Stay Cute" are so scarce talents, our Adele blends with them so vividly, indifferent and sexy. But how many people can grow up to 80 years old so crazy?
The cool thing about Adele-I just don't think. However, real life has repeatedly forced you to think so cruelly.
Suppose it is me, probably will constantly analyze myself, analyze lovers. Realizing that I am being left out, I will explore the cause, talk to my lover, and communicate the solution (of course, it is more likely to be a self-righteous solution). And Adele just opened her mouth and panted loudly, exposing her rabbit teeth, grabbing the straw she could hold, whether it was drinking and dancing, or having sex after drinking, as long as it could alleviate her loneliness. Yes, someone can escape by chance, without a sense of absurdity, so there is no need to ask about the meaning of life; but no one can be lucky again and again to escape the lonely pursuit. As a result, we saw that Adele was no longer cool, she wept bitterly, tossing and turning, she could lay down her dignity and kneel to beg for mercy, just to get back a little bit of tenderness. Emma didn't look back anymore.
If Adele is lucky, she will have a worldly warmth. Get a man (or woman) to fall in love, get three or two children around your knees. But have you and I met "Adele" who is 60 or 70 years old? If so, the eyes are no longer clear. Family, children, work, firewood, rice, oil, salt, sauce, vinegar and tea, everything will push Adele back to the problems she and Emma once faced again and again. Adele can make the same choice, but the price is that her heart becomes dull, her eyes become cloudy, and then she can feel less sharp in pain, so she can age peacefully.
This is probably the life of most people. I hold this kind of life with the greatest respect and the most kindly aesthetic. Because it has its own beauty (the director of this beauty has shown us vividly and vividly through the cute and smart Adele). But often as it ages, it becomes weaker and weaker. And the way humans can still hold on to the cutting edge is probably only introspection (thinking). Only thought can drag us out of the cracks of fate, wash our faces and clear our throats. I probably still believe in Socrates's words that life without reflection is not worth living.
However, at the end of the day, all people have to confess is themselves. Just like the twenty-year-old Adele, save the trouble of questioning and ask for a piece of worldly warmth to comfort your aging body; or like Emma, use all your intelligence, luck, Ability to change a little bit of meaning that you identify with (in Emma is an artistic success). It is everyone's own choice.
There are too many things to talk about in the movie, such as the use of the lens, the camera's attitude towards the body of the person (actor), class, love... all these will probably be discussed for a long time, but the above is not in the movie, But what I want to express most is the broken thoughts.
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