Realistic coming-of-age films are generally community films

Makayla 2022-12-24 21:11:15

Very simple growing up story. The space for realistic growth stories is often at home, school, and community. The boy Cyril first encountered the abandonment of his father. The damage to a child can be imagined. He was so desperate that he self-harmed. This passage is sad. But luckily he met Salman, a kind female barber who was willing to take her in. Next is the lack of upbringing left by an unhealthy family, and the desire for friendship, which made him fall into the confusion of bad youths in the community, break free from Salman's prevention and embark on the road of crime. This passage is heart-wrenching. But Salman once again sheltered him, not hesitate to break up with his boyfriend to apologize for losing money for him. Cyril gained full confidence in Salman. They biked out for a picnic at the weekend. The story finally had a warm passage, but then it took a sharp turn. Cyril was chased by the kiosk owner's son, who had been injured by him, from a tree. Fall into a coma. The director presents the selfishness of adult human nature, but still retains warmth, so that little Cyril gets up again, and rides back home. Hope he can get through the darkest moments of his growth. The film is controlled within 90 minutes, there is no nonsense, it is straightforward, and a lot of sports long shots are chasing the running children. There are only three short pieces of sad music, refusing to be sensational, very cold. Tribute to Four Hundred Strikes.

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Extended Reading

The Kid with a Bike quotes

  • Guy Catoul: It's too much. I can't look after him.

  • Wes: May I call you Pitbull?