From the public account: The Seventh Film Study Club
The most arrogant catharsis is sometimes the truest life.
After living for a long time and seeing a lot, you have to admit that most of the time you are really not satisfied.
For a certain accent, there is no reason to hate and reject it.
You may be reluctant to admit it, but the nature of seeking advantages and avoiding disadvantages has indeed created the characteristics of human beings who are inherently evil at the beginning.
The following film, The Killing, is in this position.
The story begins with this scene:
This is a couple of parents, one of the couple's son injured the other couple's son.
The victim's parents are in the front of the picture, and the perpetrator's parents are in the back.
The current scene is that they decided to settle after negotiation, and the victim's parents proposed to write a
A detailed report on the matter goes to the school. Two pairs of parents coincide, one admits his child
The other party chooses not to blame the child for violence, but for educational purposes, it is still necessary to give relatives.
appropriate punishment.
After they negotiated, they sat together in the living room and talked about the details of the matter. By the way, they communicated about
Children's education issues.
So, the Shura Field was slowly built in this living room.
In the beginning, they both showed a graceful poise that fits their respective identities, as well as a rich connotation
knowledge. But the turn of events begins with a barrage of business calls from Nancy's husband, Ellen.
First, their husband and wife quarreled about it, and then the victim's mother, Penelope, was dissatisfied with it.
Immediately afterward, they were like a Mobius ring, with the quarrel taking turns pointing at everyone.
So their graceful ease gradually faded away, revealing an angry, restless, rude side.
From the beginning to respectfully addressing the other party as Mr. and Mrs. to the end of the mouth full of foul language, all are wrapped up outside the modern civilization.
The true colors under the clothes were exposed at a glance.
The parents of the perpetrators are corporate executive Alan and eloquent strong woman Nancy.
The victim's parents are Michael, a wholesaler, and Penelope, a freelance writer.
The four of them went from simple kid fights to quarrels about laws, society and even human origins
dispute. They hold their own opinions, and both feel that the other's point of view is absolutely wrong.
In the end, the two furious parents put personal attacks on each other's children.
An exasperated Penelope called Nancy's son a "criminal".
Nancy ruins flowers in their living room, vomits on carpet; Penelope smashes Nancy's makeup
and perfume, tossing her bag at the door.
In this way, four "elegant" adults started a "kill" without knowing it.
Killing between them means attacking each other's minds, destroying each other's psychological defenses, leaving no trace
Sentiment and leeway, and this is just the opposite of the "worldly sophistication" often said in the adult population, which is extremely ironic!
Killing is directed by Roman Polanski. The two mothers in the film are Kate Winslet
And Jodie Foster, both of whom are Oscar-winning actresses who have won acclaim for their acting skills.
When it comes to Jodie Foster, I can't help but think of the "Silence of the Lambs" she played. When Judy was young, she walked
The sexy goddess line, in this film she played Penelope is intellectual and gentle, but later became furious
Bad and ugly, her strength shows the deep inner strength of an actress.
Photos of Judy when she was young
The whole scene of the film is in the living room of Penelope's house. This story tells us that if we are with people we don't like
In the same space for more than an hour, coupled with the effect of alcohol, there is bound to be a "killing" battle
fight. Therefore, the exposure after camouflage is more lethal.
The plot of the film is simple, and it does not need to be complicated in shooting and production, so the film only took six weeks to complete.
Production is complete. The content of the movie is composed of the actors' continuous output of lines and the performances they put into it.
constitute.
The whole thing started with a fight between two naive children, but it ended up being between four adults
contest. Take a look at the identities of three people, a writer, a modern-day strong woman, a business executive and an ordinary critic
merchants, the degree of vulgarity of their nature varies according to their place in the modern civilized class.
bits are differentiated. The first three all fall into the range of the Kochi crowd, but they are the most restless, facing disputes and spears.
Shield is the most irrational, and ordinary businessman Michael seems to be the most calm in this killing, facing the
Provocation and temptation, he still sits there calmly, and when the two women work together to destroy Alan's phone, he rushes.
Go up to pick up the phone that was soaked in water and try to dry it with a hair dryer. He seems to be a neutral party.
If he can't participate in the so-called ideological debate of this group of people, he doesn't bother to join anyone to slander anyone.
The most ironic part of this movie is this, people's long-term default Kochi, high-level social status
The theory that equates to wisdom and rationality does not seem to work.
The scene shifts to the grass as the chaotic scene leaves Nancy feeling exhausted and exhausted
The two kids revert to the good picture, and it's over.
From beginning to end, children's education is nothing more than the pretext to make four adults "crazy", but in fact, in the eyes of children
They don't think they got into a fight, or were beaten by someone, in fact, it's just a normal relationship between children
Play and play. Only the adult world can't stand a small joke.
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