The film tells the story of a middle-aged man who lost his child and healed himself through music and a band. The road to healing and growth is always unguided. These four words are a cool name whether it is a movie name or a band name. After all, everyone's soul is lonely, especially when walking in self-healing. while on the road. So the following lines are particularly apt to reflect the unpiloted, incomprehensible and lonely tone of communication:
At the same time, this is a movie dedicated to music, the song is really nice, even if it is not my type, it will still move me under the story buff. Especially the last song dedicated to my son.
Music has a god, it can dilute people's pain, and connect many people who understand it through notes to achieve resonance, and even allow the listener to have an understanding beyond the creator's pain. Many composers are not necessarily the best expressors of their own songs. When a song is written, it already belongs to the audience. This made me think that I discussed the issue of language violence with my friends not long ago, and I thought, if what the audience heard was not what the creator wanted to express, would it be a form of violence for the creator? Contacting this composer whose work was only heard by the public after his suicide will still make people feel embarrassed. The film is a good film, but unfortunately there are routines and dreams. After watching a lot of movies, it is easy for me to jump out of the movie that seems to be a dream, and can't help but analyze the routine of the film. To this day, it is still difficult for me to associate the son who composed this kind of music with the murderer, because the interpretation of love, freedom, friendship and love in his songs is very good. In addition, not to mention the wealthy family, plus the father always considers his son's feelings, not like a bad father. (At least that's how it reacts in the film). So, what is it that makes my son what he is now? The mother just said that he was sick. Immediately afterwards, it was denied by his father, but the whole film still did not give a reasonable answer. The male protagonist always wanted to heal himself, and music just gave him the outlet, and he was invited to form a band. At the beginning of the band, the male protagonist just used the band to relieve his thoughts about his son, or to let his son live in the music after he became famous. Later, as the father of the bereaved son, he took the lead singer Josh, who is basically the same age, as his son, helping him find girls and help him realize his dream. The lead singer, Josh, who became increasingly emotionally important to the male lead, eventually parted ways with him until the lie of his fame through his son's original track was exposed. The male protagonist realizes that the loss of his son cannot be filled. When he can no longer hurt others because of his self-defeating, he really wakes up and is willing to admit in front of everyone that he is the father of the school shooting murderer. From the perspective of the script, this is a relatively routine script about the growth of the male protagonist. The soul is always in the last song of the male protagonist. From the beginning to the end, I have experienced fragility, lies, relying on lies to falsely heal, expose lies, lose again, and then The real healing process. It may be because of the unreality of the settings mentioned at the beginning. During the viewing process, I always think of the script itself, and I cannot really be moved: 1. The pain cannot be brought in. 2. The unreal feeling brought by the script setting.
View more about Rudderless reviews
