She is so likable, and she can maintain such composure when she is going through a tragic looting, and it is embarrassing that she does not show the slightest vulnerability. I always felt that she was a lonely individual, living in the endless darkness to find a reason to survive, just like she wasted all her physical energy to work in order to treat her son, and she could still be so happy in that dirty factory conduct. Analyzing her seems like a futile thing, like this movie can shock me, but I can't find a clear outlet to talk about at length. After reading it, should I sing praises to the dancers? Praise the greatness of mother's love? Praise the tenacity of life? Praise the transparent heart that loves life? Criticize the cruel forces that bully the weak? I don't think it is, because the film itself has a strong gloomy feeling, and it is mixed with impure theme making, which makes it difficult for people to absorb some pure nutrients. Bjork is indeed kind and tough, but it is always due to its own stubbornness. Pushing yourself on the precipice of death, which is completely avoidable in the eyes of reality viewers. But I also think a fatal reason is that the people in the film who seem friendly and responsible on the surface are actually so indifferent to her best girlfriend, her so-called suitor, the one who reversed the case for her later. lawyer. They can carry forward the noble humanitarian spirit to rescue her. Even if she doesn't want to, it's just because of the 2,560 yuan and one cent. If those people can help her with the money to reverse the case, then everyone will be happy. But in this case, it will certainly not be as shocking as the tragic ending at the end of the film. In the end, she was so hoarse that she sang the last second sad song, still so intoxicated, and those bystanders didn't even give her time to finish the song. In the final analysis, it is still a deformed interpretation of indifference. And in the end, she could only follow the voice of her heart into heaven.
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