Drink tea in the Sahara desert

Violette 2022-03-22 09:03:00

It started with this book, and I was attracted by the sisters who went to the Sahara Desert. They always wanted to go to the highest and most beautiful place to drink tea, even if they lost their lives, it was worth it.

The movie does not have as many dogmas in the book. Some people say that Old Beiru has integrated his words into the scenery and Sakamoto Ryuichi's music. Although I can't understand it very well, I have almost forgotten the dogma in the book. I can concentrate on appreciating North Africa. And the soundtrack by Ryuichi Sakamoto. Finally, when Paul got sick, I remembered that this is a love ethics movie. Paul is most men I can understand, and his mouth is full of love for you, but what about behavior? Except wanting to possess. Kitt may have realized the disastrous nature of the trip from the time she set off in North Africa, she was afraid of Turner, she was afraid that she would fall in love with Turner, she didn't want to fall in love with someone else on the trip to reunite her relationship with her husband, and then love could not be. Block, she herself admitted Turner's charm. In the end, Kit's indulgence, unexpected and unexpected, the helplessness when the loved one was dying, made her start exile. Ugh.

I have seen many movies and books, but this is the first time I write a movie review, I want to remember and understand the deep expression of the movie. (Mainly because I want to watch the first movie, write a movie and explain it to myself.)

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Extended Reading
  • Kevon 2022-03-28 09:01:13

    Very good, photography and music performances have highlights

  • Madyson 2022-03-25 09:01:23

    Herzog's landscape + Antonioni's emotion, the lost generation walks into Africa and then leaves Africa, what is behind the sky? The white people are fascinated by the natural wonders, and they are also watched and played by the natives as a wonder; they have no sense of the story, nor the director (as soon as they see Bertolucci filming an erotic scene, their head is big), the red light The use of expressionism is worth remembering. The two paragraphs included in Sakamoto Ryuichi's documentary are really the essence. The monologue at the end of the old man's contrast between voice and painting is worth adding another star. The soundtrack has a strong sense of presence, and it almost turns the invisible into a dangerous character, and it is too alienating. The sexiest part of Malkovich is his voice, which has a natural fragility. The heroine is like a flexo version of Sigourney Weaver. Oh, that gay pock-faced guy who borrows money... Is Wormtail you? The strange impression is that I always thought that this film had sci-fi elements, but it didn't? Original to be added.

The Sheltering Sky quotes

  • Tunner: Do you think, uh, Port suspects something?

    Kit Moresby: I think he knows, but he doesn't know that he knows.

  • Kit Moresby: According to Port, everyone eventually gets used to anything.

    Tunner: If that were true, it would be the end of progress.

    Kit Moresby: No, I'm sure it's true. I just don't know whether it's good or bad.

    Port Moresby: Neither.