To put it simply, the look and feel of this film is like when Fox set up the project, according to the standard that there must be a thriller in the film project, he found someone to write a script, found a director and started shooting. The starting point of everything is In order to complete the task, the script is in the extreme mode, and the director is in the end. You don't even need foreplay, the movie goes straight to the topic at the beginning, both the director and the audience deeply understand that everyone doesn't have much pursuit of this movie, watching Xiaok's swimsuit, watching monsters appear, and take turns according to the routine The food is over. For example, black people don’t care if you die or not. The director of this scene wants to portray the extreme water pressure in the deep sea and the excitement brought by the blossoming of flesh and blood. But then again, if the director is a little bloody and intends to pursue something expressive, it will conflict with this simple and rude script, and it will be thankless when it is not sure.
The whole film is estimated, the sincerity is that the texture of the turbid deep water in the film is quite good, the dense sea snow and impurities have a little taste, this feeling is called air when pulled to the ground, and it is of quality to the naked eye. That's much better than the texture in Aquaman, it's really honest "water", even in the same turbid waters, this piece has more details than Aquaman, after all, it's a selling point, and it's not too much to praise There are still some traces of the special effects production that are modeled. Another point is Xiao K's acting skills. It is surprising that the characters in the whole film are functional roles. They are either responsible for death or mechanically promoting the plot to create contradictions. The director goes straight to the theme. Even the character creation is too lazy to care about the package-style acting skills that the actors show, but Xiao K's acting skills can be seen to be a bit of an idea, but even the heroine director rarely gives the role of shaping the scene, except for that. In addition to the physical benefits (the breasts are really small, but I rush fast) to actually be able to perform something, it makes me feel that she is surrounded by real water, not air and green screen.
As for the design of the monsters in the film, needless to say, this film cannot be regarded as a Cthulhu-themed film. He didn’t touch the core of Cthulhu’s expression at all. He just watched the myth of Cthulhu suddenly become popular in recent years. Now, the theme of this film is either water or water. Wouldn’t it be a waste if you don’t borrow the shell and shape of Cthulhu, but obviously, the design of the monster image in it is also extremely routine and templated. Where have I seen this face, more than once, the humanoid creature that borrowed from the deep diver did not satisfy any visual pleasure for me. Of course, as if the big one was satisfied, the movie may still not be intuitive enough. But when I went to look at the setting map of the early movie, the big one in it was the image of Cthulhu. Maybe the main creator also felt that he copied the image directly, but arranged an extremely stupid and unpredictable ending for it in the film. Will anger the fans of Cthulhu Mythology, let's not talk about dead or not, Tang Tang's old god was finally frightened by the explosion caused by the meltdown of a small nuclear energy reactor, turned his head and ran, and even slapped it twice. , so he only dared to add a row of tentacles under his chin to pay tribute, so he looked even more stupid. . . . However, this film still has a gram-style expression, the text report at the beginning and the end, yes, the essence of this film is only these two places.
ps: The narrations of Xiao K in it have no role in shaping the characters at all, which is extremely embarrassing. It made me feel as uncomfortable watching Yang Ying participate in those bullshit shows and the old man riding a bicycle.
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