The director's heart is really dark, and he wants to exchange the minimum cost for the maximum effect, although he does.
The hearts of extremists are really dark. Compared with burying people alive, the greater cruelty is to give hope to a dying person who is struggling to the death - a half-charged mobile phone, an inoperable flashlight, and a faint fluorescent light. Great. Hope it turns out to be so cruel now.
The male protagonist's company is really dark, and the personnel department, facing him who still has weak hopes, shirks responsibility, puts interests first, and starts the recording conversation in an orderly manner.
On the other side of the phone, there is a world full of light, fresh and pure air, unhurried rationality, sympathy and misfortune, and a message transfer to keep out of the matter.
On the phone side, is the dark and narrow space, the turbid and hot air, the desire to survive struggling between despair and hope, the pain of powerlessness and confusion, fantasy and unwillingness to life.
It starts in the coffin and ends in the coffin. Filming in a confined and narrow space gives people a sense of oppression. A mobile phone is not only the hope of the male protagonist, but also a turning point for the audience to hang in suspense. In this way, we also hold The same hope as the male protagonist, waiting and looking forward to it, survived more than 90 minutes until the final judgment. wonderful!
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