I've watched all three Polanski films so far... The series of turmoil in the sexual assault case is basically on Polanski's side, but this one is really disappointing, and I don't expect 80-year-olds. What else could Polanski have to offer. The point of view is cleverly chosen, deliberately keeping a narrative distance from the well-known client Dreyfus, just to intercept the scene where he was assigned to a desert island, using geographic isolation and the audience's familiarity with the matter to shape the absent presence. The scene scheduling is very efficient, the overall rhythm is very stable, and there are also several times to reverse the audience's expectations. Maybe it's because people get old and do subtraction more easily. Last year's Martin and Dongmu were like this. The biggest problem is that it is too deliberate. The rabble really exists only for the rabble. Except for the fat major, the other characters have no thickness. There are many court scenes and duel scenes. The result depends on the scriptwriter's paragraphs, which makes the whole film unbelievable. in the template. Once again, female characters are dispensable. Polanski's attitude towards women is indeed...not that he hates women, but that there are no women in his world. There has always been an obstacle to the substitution of court dramas. I don't know if the collapse of the middle and back sections is my problem or there is a problem in the first place.
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