Don't think that this is a film related to religion because of the title. The director just uses this theme to reflect the good and evil of human nature. The film has two events that alternate between good and evil. Become a clergyman, and the other is the family of the town car accident victim and the perpetrator. When this juvenile prisoner accidentally pretends to be a town priest, these two situations of entanglement between good and evil accidentally touch, making the juvenile and the town people live together. The distance between good and evil is pulled. The director uses the seemingly relaxed theme of fake priests to guide the good and evil that is deeply hidden in the heart of human nature. However, the director used the lively nature of a fake young priest to immerse himself in a town that was indifferent due to a car accident, and also skillfully formed a strong contrast and evidence of good and evil. The arrangement of false priests seems a bit cliché, and it also lacks the opportunity for the juvenile self to be generated between prisoners and priesthood, and to have the opportunity to maintain the dialectic in the heart.
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