The story is very simple and smooth. The irresponsible father, the child who seeks his father's love to no avail, the kind adoptive mother, the delinquent teenager with value, the age that is easy to go astray, the youth full of hatred that has nowhere to vent, is every day. stories that are happening. His body and bicycle are his only weapons, and it seems that he can't be broken or beaten, and he is always on the way of chasing and being chased. Walls, doors, windows, fences, and trees can't stop him, he is breaking free, running for something, not dying. His seemingly unreasonable behavior is just to prove his existence, to himself, to his father, to the bad boy, to anyone, everyone who asks for him, and Samantha is the same. She adopted Cyril with little thought, choosing him between him and her boyfriend, maybe she didn't know why. There are many impressive details in the film, the absent but firm eyes in the elevator, the steadfast follow-up after finding my father, the staggering steps after jumping off the high wall when my father drove him away, the obsessive-compulsive-like turning on the faucet and Fiddle with the refrigerator handle. In the end he was holding on to the carbon and bike he had promised Samantha to buy, he had other things to hold onto, and while he might not have learned to love, he had learned to wrap hate in love.
In addition, the color matching is beautiful, and the whole picture is very comfortable. Cyril always wears red clothes, and in the light background, on the street, in the green grass, and under the blue sky, a flash of red is very moving.
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