How else can Wong Kar Wai praise? I love Wong Kar Wai so much. If we say "In the Mood for Love", there is an inextricable feeling in the air and a desire to be restrained to the core. That "Breakthrough" is about crushing love in the sun, burning a cigarette in the night of separation.
"Breakthrough" is the work of Hong Kong director Wong Kar-wai in 1997, which stunned the world at the Cannes Film Festival in France. From narration, editing, light and shadow, and music, it has reached an extreme of film aesthetics, a natural harmony, and a long-lasting charm that people can't forget for a long time. All those who love Wong Kar Wai have to admit that his films have endless beauty.
In love we like to peek at each other
The reason why a love scene is good-looking requires actors to design many loving and moving details for the characters, so as to give the audience a sense of substitution. In other words, it makes you feel like "they seem to be really in love" when watching TV. Communicating inner activity relies more on subtle, precise facial expressions.
Leung Chiu Wai (Lai Yaohui) and Leslie Cheung (Ho Baorong) in "Happy New Year's Eve" gave their peak performances, and I especially liked their symmetrical, peeking details of each other. Wong Kar Wai used the cuts one after the other to easily show the contrast of the two people's devotion to each other.
The role in love: the one who is fearless prefers more love
The roles in love often determine the direction of the relationship between the two, and the two hold weights to balance the balance of love. There was a scene where He Baorong, who was cold and freezing, had to take Li Yaohui to the morning exercise. When he came back, Li Yaohui fell ill with a fever. But Xiao Zuojing said: I'm going to make trouble! It's rioting now! This scene is so cute! No matter male or female, the person who can act like a spoiled child is the best life!
The collapse after the forced installation of Tony Leung's nearly 50-second peak crying scene (the only one for me)
Speaking of eyes, Tony Leung's eyes are too emotional. In the movie, He Baorong was unwilling to pursue the excitement of life plainly, and there were more and more quarrels and differences with Li Yaohui, and the two broke up again. Xiao Zhang (played by Zhang Zhen) has saved enough money for the trip. Before leaving, Xiao Zhang gave Li Yaohui a tape recorder and hoped that Li Yaohui would say a few words. Li Yaohui has never faced his emotions after losing He Baorong. After saying that he was "not unhappy", Tony Leung contributed a nearly 50-second crying scene that made the audience feel strong empathy. When I watched this scene for the first time, my tears were more than Li Yaohui's. It's too early.
From Hong Kong to Buenos Aires, the Foz do Iguazu trip never came to fruition. He Baorong always regarded Li Yaohui as a harbor for injuries, and Li Yaohui was hard to let go and suffered endlessly.
The embrace of the seemingly socialist brothers hides a heartbeat that you may not notice
Let's go back and talk about Xiao Zhang and Li Yaohui, this side story is an unbroken, unfinished end. Because it is not to be broken, it is necessary for the actor to give the character a strong psychological basis and support. In Li Yaohui's eyes, the football in the alley in the afternoon, the physical contact when playing football, the beer after get off work, the summer after He Baorong left, Xiao Zhang brought Li Yaohui a "somehow, the summer passed quickly. .
The parting hug of Li Yaohui and Xiao Zhang. The shot goes up from the middle, a hug like a quick socialist salute, another shot from front to back, and Tony Leung's remarks - "I don't know if I was much closer to him when I hugged him that night. If you can't hear it, you only hear your own heartbeat, I don't know if he can hear it", full marks for imagination!
The lingering rhythm of "Happy Spring" is long, accompanied by Prologue's bgm. Love not only has to learn to love, but also to learn to separate. Today, tomorrow, and the day after tomorrow, I miss my brother very much every day. When we miss him, we might as well start over and watch it again~
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