DIR has directed "An Andalusian Dog", everyone tastes it, surrealism, the movie will not spoil, today we will talk about fashion. All of Catherine's costumes are arranged by Yves Saint Laurent, and it can be said that even her hair is fashionable. It not only perfectly shows the delicate middle-class taste of the characters, but also the source of many popular holy products and the inspiration muse of many costume designers, including the famous Alexander Mcqueen and Jhno Galliano.
There are a variety of military-style double-breasted coats in the film, which are full of the spirit of the mother-in-law that Saint Laurent has always pursued. The slim cut is matched with low-heeled shoes and fluffy blonde hair. Although there is still a bit of student spirit, it is more suitable for doctors than the overly enchanting Le Smoking. The identity of the wife can also be more contrasted with her empty heart and terrifying life.
Hepburn had a similar look in "How to Steal a Million" in 1966, and it happened to be the opposite color (Hepburn Total Look was all white).
If you turn your eyes to Catherine's feet, you can see the ingenious square buckle square toe patent leather shoes designed by Roger Viver for this movie. Global, enduring.
After taking off the coat, the dress inside is also uniform style, which is the hottest hunting suit series of YSL Rive Gauche that year.
The white headband that Catherine wears when she plays tennis. It also appeared in Pedro Almodóvar's "Love High Heels". Even the fashionable Bella wore it on vacation some time ago. Brandy Mellvie has produced a similar style. Catherine This set of outfits has a middle-class energy.
The film has repeatedly appeared in tan and apricot-colored Basic Look. This color that is closest to nature has a moist smell of soil and nostalgic feeling. No matter how you look at it, it is high-end and textured, and the upper body becomes a stylish icon in seconds.
A pure patent leather trench coat and cat-shaped sunglasses, a rebellious spirit in the bones and a golden hair, go to the street, leaving only the full screen of sexy.
What I like most is the satin knee-length dress near the end of the film. This movie came out in 1967. At that time, the popular style was the knee-length Mini Skirt, but Mr. Saint Laurent insisted that all The costumes are all set to the length of the knees, one is to retain the dignified sense of the heroine, and the other is to hope that this movie does not have a sense of age, and it is quite successful to create a classic character LOOK.
Finally, the poster is by Greek illustrator Nikos Bogris.
View more about Belle de Jour reviews
