There are no big loopholes in the plot as a whole, and some foreshadowings are in place. It's just that the villains are a bit too weak after both of them.
Compared to Brother Tom’s acting skills, the two leading female actors are even more brilliant. The fight between the three gave me a lot of room for imagination. I think this is the tension of drama. For example, in the quarrel between Brother Tom and the female police officer on the issue of female independence in the tavern, I think this entry point is very clever. It not only caters to this "correct" theme, but also secretly satirizes some sensitive people, after all, in that situation. It is not so much that he discriminates against gender, as he is more concerned and protective. The communication between Brother Tom and the little girl at the gate of the supermarket was also very exciting, and the relationship development in the back was very smooth and logical.
Focus on the ending, the ending of the first part is very exciting. I think the second part surpasses the first part. The role of Jack is eager for feelings but dare not expect feelings. At the end of the movie, he harvested precious family affection, but the director cleverly did not vent this feeling through Jack’s mouth, but watched Jack’s wandering back to the audience. Slowly aftertaste. Two words, warmth! This kind of feeling is incomparable to speed seven and eight.
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