——There is no so-called sacred and inviolable, maybe it is just the betrayal of the holy and pure, the desire, possession and resistance between Tristana and her adoptive father
"Tristana" is director: Luis Buñuel 's representative work in the late 1970s. Before that, there were "The Handmaid's Diary" and "Beauty in the Day" and this film formed a series of "women's trilogy", and later " The Discreet Charm of the Bourgeoisie" and " The Phantom of Liberty ", as well as the master's final film " Hazy Desire ", form another "trilogy" . " Beauty " treats it differently, it should be the most watched one of the director's movies, both movies are by: Catherine Deneuvestarring. Mistress Tristana When she lost her mother when she was a girl, her mother entrusted the girl who was still young and ignorant to her lover Luo Pei for guardianship. Refers to the mother he once fought with the Marquis for Tristana, maybe her mother was also a beauty back then) The old servant first vaccinated the girl who was not familiar with the world. And although Mr. Rope does not rely on the powerful, he values the honor very much. At the daily dinner party with his friends, he always said: As for women, no matter what kind of women, my principle is that as long as they can truly love each other, they are innocent and do not steal. A friend's wife and abstinence take away the virginity of an innocent virgin is the bottom line of his code of conduct. Between Tristana and her adoptive father, apart from keeping oneself during mourning, it was a sacred "sexual repression". Of course, the old maid understood her mind and told the master: it is useless for her to go to mass, she needs fresh air and new environment of. And Tristana also waited for the old man to come back on time every day, and squatted down to change his slippers (after the relationship, she disliked the old slippers and discarded them) and the man also put the last boiled egg in the house reserved for girls. In her frequent nightmares, she clearly saw the bloody head of "Master" hanging from the bell of the clock tower (appeared twice), and after she was woken up, the master hurriedly put on clothes and ran to her In the room, while looking at her pajamas that she had unconsciously opened, (she deliberately scratched her breasts in front of her adoptive father to make the pajamas crack even more) The master kindly arranged her clothes before going back sleep. After the mourning period in a few weeks, Rope first considered buying Tristana new clothes to dress up the beautiful girl, at the cost of selling the property rather than asking friends for help. Against the background of the new clothes, the girl gradually became innocent and cute like a girl, and the naughty and joking man said: I think you have both admiration and hatred for me, do you like me? Kiss me, then; when the girl kisses the cheek with the kind of admiration that is between relatives, he corrects: no, (no, not this) and the girl immediately, without hesitation, comes mouth to mouth with a lover After kissing and kissing, she laughed strangely (curiously and freshly), and then the old man went home and immediately set aside the maid, so that she didn't have to come back early, she could go out as long as she wanted, and then came to the "daughter" Beside her, let her put down the housework in her hand and go up to make out. The girl hesitated: what should she do when she sees the swelling? (She didn't say no, didn't do it, didn't agree to resist etc.) At this time, the man told her: Shatuna (the maid) had already made up her mind (it was time to understand their relationship), and the two went to the bedroom affectionately, Terri Stana skillfully took off her coat, sat on the bed and took off her garter, and Rope closed the door. (The first time between the adoptive father and the adopted daughter of the whole film is that there are very few sexual hints in the whole film and the plot is completed.)
The next part of the movie is Tristana's sexual enlightenment and sexual awakening after having sex with her adoptive father. She began to care about Rope's age and the advice or discussions of people who went out with her. (Even if she didn't, she herself felt unsuitable), but she still had the kind of "father-like love" she had for him, and she hoped that he would "love her less" and keep his business out of his mind. Older after all. And Rope's second request: you can do whatever you want (don't stay at home looking at two lifeless old faces) but please don't do anything that hurts my reputation and love. Here he emphasizes "fatherly care" at one time, and the rights of the husband at another, and in their less and less "walking" together, he is always mean to admonish Tristana of a daughter and wife Responsibilities and Obligations. Under the tight care, she chose an adventurous life path and met a poor and down-to-earth young painter, she began to fall in love, she began to take the initiative to date, she did everything possible to find a space to chat with young men about her past Already the love she imagined. When love comes, her girly heart is happy and joyful, which is not the same as the peace with Rope (that is more of a kind of repayment of family affection and ignorant curiosity) Tristana asked the old man Man Rope: Do you think it's weird to yell (I'm now) happy? And Rope said: You are going out so frequently now, wouldn't it be to date a man? (Actually) I have two rights over you, both your father and your husband. I have the right to exercise these two "rights". Your mother entrusted you to me and is also responsible for your reputation. And Tristana hit the nail on the head: my reputation was taken away by you long ago, and my mother, Izumi, knew about it, and I don't know how she felt. When she distinguishes with Ropey again, she will sit on Ropey's lap unconsciously "like a spoiled child" and let him touch her back. When the young painter repeatedly persuaded her to leave the house, she was always hesitant: let me think about it, big things are fine, but small things can't be considered (emotions). It is clear in one sentence that the delicate relationship between them is a kind of "complex" existing family relationship that has been accumulated over the years, and the girl's dependence on the "Electra complex". . In her eyes, Rope is not only her mother's former lover, but also the first man she has met since she was a child (not the kind of father-love relationship of blood), but he is more about her own understanding of her father when she was a child, and the transition to adolescence To the feelings of the man (although the man is a bit old-fashioned). There is also a detail in the movie that Tristana met the painter for the first time After dating and falling in love, she prepares to sleep by herself and asks the old servant to make her bed in another room (explaining that she has been living with Ropey before). As a girl, she began to know what the process of "love" is and how wonderful it feels to be "a talented woman".
Two years after "running away from home", Luo Pei was obviously old, but the old servant still followed him, and the old man who had nothing to do day and night still remembered the distant one who had no blood relationship and only (づ￣3￣)づ╭❤～ Is the family's "daughter" Tristana really living a happy life, or was she "squeezed dry" of her last value by that man. Suddenly one day, the old servant told him that Tristana was coming back (it seems that there is still a connection between them), she was "falling back to its roots", she was ill, and of course the painter could not take care of her life, she still Wanting to come back here, and when Luo Pei was decorating her home, she placed her favorite piano more intimately. Previously, there were pianos in their home that were sold by her mother. At the end of the movie, she shows her love to the deaf-mute boy, the servant boy she met at the beginning of the movie. The boy always likes to harass her. She stands at the upstairs window and boldly lifts up her pajamas, which are naked. At this time, the movie appears in the church. The goddess of the goddess in , a holy goddess image is completely shattered in our hearts.
For the beauty of a sexually mature woman, the film does not miss the opportunity to give a "destruction" blow, making this seemingly impossible "combination" the final "legal" sacred cloak, adoptive father and adopted daughter, old man and young girl. In the end, they were combined in the "name of God", justifiably, just like facing old age in the movie "Elegy", the girl lost the most beautiful breasts to balance the "impossible" in the eyes of the couple.
Note: I would like to comment on the love between children and children in the film with this short view. As for the love and twists and turns between Tristana and the young painter, I have not expressed it here, and I am not going to tell it. After all, the love between young people Or first love is not the main point of this article to explain and discuss.
View more about Tristana reviews
