When I saw half of the time, I thought that the film could be comparable to Tom Tykwer's famous "Perfume", or "Shutter Island", which was a godsend, but it turned out to be anticlimactic, reduced to a general work, only focusing on self-esteem The stream of consciousness, setting off the foggy atmosphere and showing off the superb imaging technology of morbid aesthetics ignores the most basic logic, deliberately makes it complicated and obscure, and eventually sinks deeper and deeper, it is difficult to get around the field, and it simply comes around and collapses in a hurry. But I have to mention that the stunning composition frame by frame in the play is still unbelievably beautiful, leaving a visual imprint that is hard to shake off.
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