She is pure, simple, calm and smart. If one of these four is missing, it is not Wang Jiazhi.
She acted in a play, and she acted in a state of blank paper, and she went deep into the play at once. There was thunderous applause from the audience. This is Wang Jiazhi's ability. So the second time, the third time... her simplicity makes her acting. Mr. Yi looked at her and said, there is no fear in your eyes. She lowered her head slightly, some tacit meaning, but another meaning in her heart.
She is like the center of a whirlpool, with incomparable power brewing in the calm. She is the smooth, jet-black hair in "Let One Move Your Whole Body". In the face of a grand career, she is extremely weak and extremely crucial. The organization attaches great importance to your line, Lao Wu told her. In fact, what does it have to do with her?
She is always in the taboo, and rarely has freedom, except for the singing part. That is the forbidden place of the forbidden, next to Hongkou-Japanese Restaurant-Mr. Yi. It seemed that she couldn't do anything and everything was wrong. Retreat to the end, then suddenly the sky was wide open, and she began to sing.
The little sister sings and the Lang plays the qin. Oh, we two are one heart.
Originally it was a fake show, it was boring, and when I sang, I thought of myself. So in the second half, a special feeling emerges. Is it longing? Yearning? resignedly?
Mr. Yi took it as the truth.
He said, I am afraid of dark places. Because he himself is black.
He was in that position, with layers of poison accumulating in his heart. Until he saw Wang Jiazhi, he began to release these poisons.
Although it is not on the big screen, I can imagine what kind of scene it is. He tortured Wang Jiazhi, which was both a trust and a test, because he never showed this side to others, including himself.
Wang Jiazhi said, I know why you let me come, you treat me as a prostitute. Mr. Yi replied helplessly, I know how to be a prostitute better than you. In the end, he was just a pawn in a troubled world.
Wang Jiazhi's singing unexpectedly melted him, and the wandering, uncertainty, persistence, and persistence in the lyrics moved his heart. His poison was finally released, and he fell in love with Wang Jiazhi.
Until the diamond ring scene.
Wang Jiazhi had dinner with Mr. Yi for the first time, and jokingly said that what we women talk about all day is trivial matters. In fact, what he said was Eileen Chang's irony: no regime, no rhetoric, are false and empty, and trivialities are the truth. Typical petty citizen thinking.
But when I come back to my senses again, in such a chaotic world, no one can believe anything, and all love and affection are empty. Only by desperately grasping this scale and claw can we feel the reality. For example, the pain of withdrawing from the heart.
The worst kind of pain can span a long time, for example, from the moment Hu Lancheng told her the story until it was written. But people always look forward to some warm things, beautiful things, soft things. Wang Jiazhi died because of this, and Mr. Yi was devastated. Eileen Chang expressed her sincerity beyond words.
He made the film completely according to Wang Jiazhi's mind. So from beginning to end, Wang Jiazhi always has the initiative.
He used such a story involving macro-righteousness and full of suspense to tell the Chinese four-character old truth: the extreme will reverse.
In the end, it's fake, it's real. Simple to the end, you can fight through a hundred battles. Lust and ring are indistinguishable.
In every minute and every second of the film, Ang Lee's oriental dialectics are being staged. And it is one extreme suddenly, another extreme suddenly. Tension, suspense, emotion, and passion all come from this invisible wire.
At the end of the film, Mr. Yi sat beside Wang Jiazhi's bed with tears in his eyes. After some conversation with his wife, he got up. There was a fold mark on the sheet, perhaps with heat. Then, gradually, gradually, it became cooler.
Men and women, all things are like that.
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