Kiyoshi Kurosawa's shot is so clean: the woman reads the story, the man walks over, sits across from it, and then cuts the close-up. The cheerful soundtrack beats murder, and the floor is covered in blood after a bath. The figures always walk out of the painting to the left and come back again, in the hospital and on the beach. People with amnesia are always asking the same question. When asked about a man's wife, his eyes finally showed panic. He got up from the bed and walked away with the quilt in his arms. The 25-point shot is very interesting, first move into the empty mirror, then the person enters the painting. An accurate and interesting revelation that the friendly ones must be in trouble, the alienated ones, but not the cold ones. It's really like Death Note, a battle between high IQ hypnosis.
Hypnotic scenes and techniques are revealed and displayed step by step. "You know, we'll be fine even if we don't travel." "We're definitely going." Lost wife returning from buying a toothbrush. "In the hotel, there is no toothbrush, how embarrassing we are" Unbalanced home, room within a prison cell, old building in the wasteland, the spirit of the characters is degenerate along with the scene... Crying must be silent. The hanging part really took me down. When I watched "Journey to the Shore" for the first time, I felt that when he switched between the virtual and the real, the reality was created by infinitely extending the virtual, Finally, there is a contrast. The application of the room within the room is also brilliant, messing up the lemon room, turning the lights on and off, the prison room, sitting on the toilet, walking around. At 1 hour and 24 minutes, I saw the dressing room clearly for the first time. I had appeared on the right side of the painting twice before, and it seemed that I needed to understand. I personally said that I don't have to travel for me, but the bedside is full of books about Okinawa. And really make good use of that weak voice, similar to the sound of wind. That is the house! Two people went to see the same house, although the exterior structure is the same, but the interior is very different! She finally picked up the knife, and it was also the end of Kurosawa Kiyoshi, anticlimactic...and like Polanski, The evangelist gradually became forgetful when he took the clothes and became a new evangelist.
It was dawn, and I went back home to watch the movie until dawn. I remembered those days at school and remembered Pierrot the most. I could not tell whether it was reality or a dream.
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