The core of Italian reflection and identification placed in the form of comedy

Jewell 2022-12-12 03:26:46

This is the first time I have seen Gennaro Nucciade's work. After watching it, I was deeply impressed by the talent of this director. He gave the common characteristics of Italian nationals to a so-called "iron rice bowl" who has a government job. On the body of the arrogant "Ma Bao Nan", before reading this work, the teacher let us understand the history and politics of Italy. Western Italy and Eastern China are also the birthplaces of civilization, and they are also full of complexities. The social relationship of human accident. Politically, there are nearly three times as many civil servants as other European countries... All these similarities are the foreshadowing, so that when I watch this film, I have a deep sense of substitution.

In terms of storytelling in the film, the director expresses the collision between traditional human culture and rules and regulations through the male protagonist's civilized learning and running-in in Norway. There is not only appreciation and approval of foreign culture, but also strong identification with self-culture (such as shopping in supermarkets). The water part not only agrees with Norway's rules, but also agrees with Italians' understanding of human feelings). In the first part, I felt contempt for the protagonist who stood in the perspective of God. I thought he was arrogant and slick, but in the back, I saw his insistence on his kindness, and saw him shouting at the street supermarket in Norway that I am Italian Man, I feel the enthusiasm in his heart. I think this is also the director expressing a kind of criticism and recognition of his own culture.

But I think in the end, the male protagonist feels a little forced to sublimate the charitable donation and the female boss's touch.

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