The whole film is particularly beautiful, with the tone of Manchester by the sea, but I feel that the cross-narrative of this film is a little unnecessary and a little redundant.
The male protagonist is still ugly and handsome, especially the camera, every time I get a close-up of his face, I think he is really funny.
I love Russell Crowe, even though he's already a potbellied uncle. Nicole Kidman is gorgeous.
A gay correctional facility where the staff is outrageous.
In it, Mr. Poke played a boy who was also in a correctional institution, and also sang the theme song of the film.
Looking at the face of the tutor inside, it really looks like a cult. I really can't figure out some small details, for example, why do you bring your own diary with you when you report for the first time? I can't handle such a deliberate plot.
How can it be so easy to get therapy and not go to school? How could the family just not be reasonable because of a phone call? I really can't figure it out.
The scene of running with his friend in college against the light and facing the church is too beautiful, and his friend is too handsome, hurry up and relive the Billy Lynn midfield battle!
So after being raped, why was the male protagonist exposed instead? He didn't show his same-sex orientation either? I don't know why the director thinks the audience can accept this kind of plot development.
The rhythm is weird, in some places gripping, in others so dull and boring that you want to sleep.
That female doctor is really a very wise character, and then cut to the scene where the glasses man and the male protagonist talk to the sexual orientation treatment center, which is very good.
I think it's a bit strange to use the hand out of the car window and the so-called gay behavior of the male protagonist as an analogy, right?...Is the expression crossed the line and is not accepted by the family?
Dog and God in turn are spellings for each other, and then what? I didn't understand this paragraph.
"A lot of camouflage can make it come true." Too old-fashioned, this plot.
"Shame on you, and shame on me."
Cameron committed suicide, there is really no sadness...I can't feel what this movie is trying to express...
It's good to see that this boy, unlike thousands of boys, has not been wiped out of the world.
His dad became the administrator of that correctional facility four years later? ? Is that what the lines mean? ? The Tutor glasses man finally found out that he was also gay. The man was with the man who had informed him again back then? ? ? confuse?
Finally: the plot is really old, plain and unbearable, really, boring. With the good core, the excellent performance of the actors, and the real story adapted from the director, I will give it three points, and I will not recommend it or give it a second time.
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