The structure is loose and there is no main line structure; the expressiveness of the voice; Kabylia tries to pack himself with a strong personality and masculinity to become unruly, but emotionally and materially, he is still toyed or materialized by men; in the eyes of the middle class, he is The clown; when her "camouflage" is seen by the audience, you can feel the director's sympathy for her self-comfort. She has a strong expressiveness and emphasis as the protagonist in the film. Looking at her from the point of view, it has a scrutiny attitude. It is the existence of this scrutiny attitude that we can see the suffering behind Kabylia; it no longer emphasizes the relationship between people and society, but expresses the character's The psychological factors of "action-image". Kabylia's need for affection is urgent, and he shows this attitude to actors and benefactors; the poor place their hopes on mass, and she questions the practicality of religion; only in hypnosis can it be unloaded Preparedness, showing the most pure and straightforward side and the desire for true love; Hypnosis brought her other side to the table, Kabylia had to face the contradiction between the two; Facing Oscar's pursuit, she Her self-defense mechanism seems to be very low; Kabylia's attitude towards girlfriends and men is also her distrust of men and feelings. Bitten to death, facing the lie of marriage, Kabylia's spiritual world completely collapsed; others are hell;
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