I want to watch this fashion film when I have time, and cut some material. In the film, Audrey Hepburn accused fashion and fashion of being a useless vanity thing, and like the economy, it is flashy. This point of view got me thinking, I like this industry very much, and I may love it in the future. She combines various elements of beauty (color, cut, texture, etc.), [as in all art: color, shape, carrier]. Decorate people's natural beauty, express the designer's thinking, or set off, or express. Let the mysterious, domineering, noble, elegant, gloomy, fresh, gentle, intelligent, sharp, classical, and cruel. These mists come out and overflow, and everything points to beauty. This highly rare, random, and erratic thing that is difficult for human beings to grasp. But what is this industry based on? The film implies that it is an economic bubble, and people's optimistic expectations and even fanaticism are overflowing in every aspect of life and society, especially in the fashion industry under the injection of capital. This made me tremble, thinking of the recent plague, the hidden war, the famine in the distance, and the death at the end. The certainty and uncertainty of individual life and group society will have a dramatic impact on the fashion industry. Jewelry and satin, carved fence and jade masonry, at the breaking point of the economic bubble, the crossfire of civilization conflict may collapse at any time, and everything will return to nothingness. Then, there is another round of regeneration and reconstruction, and the economic cycle turns again. We, in the peaks and valleys, are moving forward, feeling with our own years. However, is there no beauty in the era of material scarcity? Is there no fashion design and human body decorative art expression? Strange, of course, there is, and it has always existed since the primitive society. Why do you think the fashion industry is built on a flashy bubble economy? Beauty and art are integrated in all aspects of life, and for beauty-randomness means a high degree of order that is not random. The perception and pursuit of human beings are engraved in the genes, which indicate that the laws can be explored, the universe can be recognized, our participation can be, and the world can be transformed—the existence and function of consciousness. I saw another movie "Gladiator", which flashed a Mongolian slave face, God, Bodhisattva, so handsome, he is like a swift and smooth leopard, black and yellow bright skin, slender legs, A sturdy body, a symmetrical and masculine face with a fresh and surging youthful breath, and long black curly hair that falls on the collarbone along the cheeks. I still remember seeing a set of atlases of men's costumes of various peoples and ethnic groups from all over the world. The shining beauty of primitive simplicity is also a huge treasure trove. I can't help but think about what is the commonality of beauty? Specifically, why do other times' beautiful clothes violate in modern times? What is the core of Chinese clothes that conform to the modern background, what is their relationship with the current era, and what is the essence of their beauty? What do they have in common with the costumes of other dynasties? It is almost the same thing that consumes a lot of human and material resources, regardless of the cost, and integrates various thinking expressions, which are (subjectively) beautiful (feeling) and (objectively) precious things. Noble because of scarcity, fragile because of nobility. But again this is an eternal theme.
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