can not read

Hannah 2022-03-21 09:02:24

Suspiria

Suspiria

I really don't understand it very much. I feel that it should be related to the background of the times interspersed in it. It is necessary to understand that period of history to understand it. But why are horror movies so complicated? The purpose of my watching horror movies is to stimulate, this kind of incomprehensible can only get to the point of nonsense, and I can't feel too much stimulation. The dance in it should be related to the human rights pursued by women at that time. After seeing it, I finally found out that the heroine is the Goddess of Sighs, how can the Goddess be evil, and what role does the old man in it play as a witness? I don't understand, I don't understand...

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  • Issac 2022-03-24 09:02:27

    Guadagnino's way to remove the lead yellowing is to add, throw away some cult concepts, split the original behavior into two, and add a protracted concentration camp line, but the only thing missing is how to relate to the main story of the gust of wind. The fusion of the atmosphere can not support the forced reversal at the end; without the aesthetics of lead yellow, Guadagnino did not show any audio-visual language ability, and no new aesthetics were born. Isn't the narrative paragraph a deep house movie? Isn't the climax of a cult plasma tablet? The use of space scene elements is zero, and the gloomy school is not used at all. Ordinary horror movies dare not shoot like this, right? It can be the screenwriter's pot once, but not every time, right?

  • Lane 2022-03-24 09:02:27

    I was so amazed that my jaw dropped

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Suspiria quotes

  • Madame Blanc: Part of the issue always is not being able to see your body in space. One angle in one mirror or on film is not enough. Movement is never mute. It is a language. It's a shape of energetic shapes written in the air like words forming sentences. Like poems. Like prayers.

    Susie Bannion: Spells?

    Madame Blanc: When you jump, it's not the height, but the space beneath you that matters. Every leap into the air must be a coup de foudre.

    Susie Bannion: I don't understand.

    Madame Blanc: A strike of lightning. A bolt of love, in fact.

    Susie Bannion: That's beautiful.

    Madame Blanc: There are two things that dance can never be again: beautiful and cheerful. Today, we need to break the nose of every beautiful thing. And if you're going to be a dancer, you must learn French.

  • Dr. Josef Klemperer: You can give someone your delusion, Sara. That's religion.

    [pause]

    Dr. Josef Klemperer: That is the Reich.

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