A flame burns in a metal stove symbolizing the ancient and mysterious ancient Egyptian kingdom of Memphis, doused by the hotelier with beer, perhaps heralding the city's blazing flames, to be drowned in human smoke in wine. The camera moves from the stove to the hand of the hotel owner, and then slowly zooms out to the point where you can see the entire late-night tavern. There are still many people sitting in twos and threes, and two dim lights make the whole city old, poor and ordinary. Condensed into a midnight tavern that is closing soon.
In this tavern, a middle-aged man slowly walks from the center of the picture to the front of the camera, and the camera is also pulling in more and more toward him, from panorama to close-up, it feels as if he is welcoming the arrival of the protagonist. The protagonist walked in from the close-up shot, left a back view for the audience, took a sip of wine, and slowly approached the entire tavern with the middle-aged man, and the camera slowly zoomed out to the panorama again. The people in the tavern gave the magician a way out. The small and slow movement of the camera brought me a sense of breathing in a tavern. The whole tavern is a small space, and a few small lifts of the camera from the ground to the ceiling increased the space. It indicates that the man will start to unfold the macroscopic performance of the universe, bringing a little expansion of space. The male protagonist walked obliquely in front of the camera and found the "earth". The camera slowly approached the man. When the male protagonist pushed the "earth" toward the "sun", the camera moved forward smoothly again. According to the explanation, the lens naturally transitioned from panorama to close-up, and zoomed in to the front of the human solar system. Two lights, one behind the male protagonist and the other behind the right, enhances his silhouette, and the camera moves forward as the male protagonist talks about the forward tilt of the solar system. The light behind the male protagonist moves forward. The round faint lamp is like the sun, and the background is "the sun": the middle-aged man, probably also symbolizes the round lamp like the sun. The camera slowly zooms out again, allowing "the earth to enter the picture". The camera rotates around the sun with the "revolution of the earth". The male protagonist rotates with the people in the tavern like conducting a symphony orchestra.
The background sound sounded, "All animal life is silent, will the mountain be uplifted, will the sky collapse, will the earth crack? We don't know these things." Following the male protagonist's speech, the camera zoomed out again, and I saw The insignificance of human beings, and the hugeness of the earth and the universe. The solar eclipse suddenly appeared, the moon covered the light brought by the sun to the earth, the picture was silent, the "sun" bent down, the male protagonist bowed his head and said nothing, and the rest of the people in the tavern raised their heads to look at the camera. A sense of solemnity and reverence. The camera slowly rises and looks down, and the light in the foreground enters the frame. The male protagonist raised his head from the silence, and the camera moved down, "But..." The male protagonist's language began to change from before, transitioning from the dark world to the light, and the camera began to move towards him again. All the cameras and people started to revolve around the sun. The crowd crowded in the tavern was suddenly scattered by the tavern owner, who threw the towel and opened the door. "Enough, you drunk guy." He dared the hero to go out. The camera followed the background of the male protagonist, and the camera moved to the front of the male protagonist and the tavern owner (close-up), they looked at each other for a long time, "But this is not over yet." The hotel owner looked at his tavern and thought for a long time. The male protagonist brings the sun to the midnight tavern and hope to the drunks, a struggle between a man who brings freedom and hope to the people and those rulers. The pioneers who brought liberty walked down the dark avenues, but the light they left behind will inspire those who are anesthetized.
He was walking alone on a street with only a little light, and the camera angle was down, making him more insignificant and lonely, and his emotions were constantly oppressed. The camera slowly zoomed out, and the male protagonist began to advance towards the endless darkness alone.
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