David slumped on his brother's bed with a face full of wounds, and told him that his fate after marriage was to be a fat man who loved to drink and worked at his father-in-law's house; Mother. They are all stories from China, and Georgia is exceptional. The film is not about the so-called hot-blooded chicken soup at all, nor the so-called forbidden love, but an attack on the charm of the whole society of ethnic males through dance.
I like to move the camera in two places. First, they went to Mary's house as a guest. After Mejib and Irakli had their first skin-to-skin kiss the night before, at the dinner table the next morning, the camera first focused on Mary's grandfather(?), and then Floating from top to bottom to Mejib, who was sitting furthest from the dining table, with mixed anxiety and happiness on his face. Second, Irakli told Mejib at David's wedding that he was going home to get married. The camera first focused on Mejib's crying back, and then filmed him as he walked out of David's mother-in-law's house. Then the camera went back and came Going to a window, we took a long shot of Mejib, who was just walking out of the building. Mary followed him downstairs. The two embraced and wept. The feeling of a tiny person under the pressure of the big environment came out spontaneously. Interestingly, in the middle shot, there was still a The younger brother honors David while in and the groom of the Lucca theory.
Sweet tea bites peach in "Call Me by Your Name", so the director asked Mejib to bite pomegranate?
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