The IMDb score has been out, 6.7, in line with my estimation. This trailer is very attractive, but the film is not at the level of a Netflix movie.
1. The green special effect of fifty cents is particularly obvious at the beginning of the train martial arts scene. Netflix is too stingy.
2. The narrative style of breaking the fourth wall is inappropriate. Very interesting. I know that we need to give the heroine's inner drama space to unfold, but in this story, this method destroys the integrity of the story. The audience can't find an identity that allows them to intervene (according to the arrangement of the lines, we are obviously not a dialogue between the heroine and the self ). I don’t know if the original work is in the first person, so I have to use this method. Perhaps a more appropriate way is the reflection moment after each event (with the audience as the heroine’s diary). The observation-recording is also suitable for being a detective. Identity setting.
3. Eleven acting online, all the details and expressions are in place. A pile of old drama bones was actually held up as a foil to the green leaves, with emotion. In addition, I feel that the shelf life of European and American movie stars is too short. In this film, Xiao Eleven is a little far away from the role of a girl, and several shots are very old.
4. The character set is not stable, so I don't know if it is the original pot or the adapted pot. Especially the female protagonist: First of all, after a sudden slap, she will only have an expression of "You hit me". Your mother white fell with you so much. If it’s a traditional and conservative character, it’s okay if you can’t fight back or scold, but Xiao 11 obviously has the ability to fight the murderer head-on, so if you get a slap, you should directly return a backhand slap to your body; In the all-female school, it is not said that there is no attempt to escape, and there is no act of resisting the discipline. In the end, the hero must be the hero to save the beauty.
5. The role of the eldest brother lacks three-dimensionality, but the role is given too much, which affects the balance of the role; the second brother has a personal curve, but on the contrary, the role is too small and lacks the presentation of changed events, which makes it impossible to empathize; the principal and mother have The potential was tapped, but it didn't start at all; the most impressive female partner turned out to be the old lady. But the sense of the times of the script is completely wrong. At the end of the nineteenth century, it was not at all that the heroine could reach the nobility by spending money in the film, let alone an anonymous single woman who was exposed to wealth in a big city. If you are deceived, you can settle down smoothly...
6. The whole story line is arranged very cleverly, which is commendable. Combining Sherlock Holmes’s literary background with the era background of women participating in politics, the main line of finding a mother and the second line of saving people are cleverly intertwined with each other, but too much emphasis is placed on the male lead, which leads to the kind of "sledgehammer that can not be shaken by the female lead. The sense of ingenuity of "Chaining four or two strokes" is greatly weakened, and it also hurts the theme. I want to take care of male audiences. Hey, in this era that can't keep up with the speed of cars.
7. In 2020, can feminist stories stop the confrontation and conflict between the "new age women who are determined to change and the obstinate old antique"? The feminist story of the new era should have a new paradigm, including the position setting of each character:
-Sacrifice righteousness and seek radical change at all costs-the heroine, her mother and a group of women participating in politics, it is a pity that there are too few scenes in the film
-Xinyoucheng believes that the hour has not come, so it chooses to adapt to the times and protect oneself-the vacancy, the principal should be set up like this, which has much more room for development than the film "self-thinking that pursuing the trend is actually conservative and closed"; the old lady is vaguely It’s a little bit like this (aside from the identity and talk to the heroine in private), but there is no point in the film, and only the shrewdness of "close to the heroine to realize your intentions" is presented.
-Accept that the times have to change but require sequential improvement in a certain order-vacancy, eldest brother should be set up in this way, the prominent role thinks that progress is actually the resistance to change and the object to be changed (preferably a male role), and It just happens to interact with the principal’s emotional line, creating a stronger irony: the eldest brother thinks he is progress and looks down on the old school principal, but in fact both of them are both old and the same; the principal thinks that conforming to the times can make him live. It's easier, but it just leads to a missed marriage;
-Perceive the changes of the times but have no tendency. Being pointed out by the protagonist that indifference is actually a tendency, that is, a tendency to remain unchanged.-Brother, there are a few lines in the play that are brought but lack of expansion, which is very wasteful
-Soberly aware of the direction of the times, and able to cleverly deal with the various forces, pull the right string and finally promote the change with a small blog-the heroine, the arrangement in the film can score 6/10 points, but she herself has Looking for the main line of mom, plus this film is only two hours long and not a TV series, so it’s OK; this role can actually be split into multiple roles, with the mentor and the protagonist who guide the protagonist’s growth (after all, the protagonist’s halo is the last She still has to put a straw) together to complete;
-Stubbornness highly agrees with the old times and devotes everything to guarding the times-the murderer and the old lady, but they are not very clear. Their role positions are very vague, mainly because the lines and action lines are too badly written
-I don't know the life satisfaction of the times, but participate in activities because of the friendship and trust of the protagonist, and become a progressive force; (there can not be more dramas, otherwise it will affect the balance of the role)
-Used to be a change makers of the previous generation but did not realize that change is an eternal proposition. As a result, he became a self-proclaimed laggard;
-Believe in chaos is a ladder, although it has contributed to the change, but secretly tried to fish for oil and water;
-Endured hardships in the old times, hoping to change their destiny through reforms, but was used by the above-mentioned people and ended up tragically, and even began to miss the old times;
-Believing that the era requires change, actively investing in promotion, and even forming an alliance with the protagonist because of like-mindedness, but in the end found that each other's ideas for change are farther and farther apart, and they have to part ways or even form opposition;
-Aware of the inevitability of change but nostalgia for one's own status and privileges in the old age, vainly attempting to "I want it all" turned out to be the object of mutual confrontation between the reformers and the conservatives
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You see, there are countless more complicated, more three-dimensional, and more conflicting different positions and aspects in the story about the change of the times. This is the essence of the change: the motif of the change is not to discuss change or the same-change is affirmation Yes, so this kind of yes-or-no confrontation is already old; how to change, where to change, at what cost, different choices of different people, and the resulting cooperation and confrontation, intersection and division, fetters and conflicts The true essence of change, the inexhaustible source of stories, "the only constant is change."
The foundation of this film is good, but it feels like this is for the market to force in the male protagonist and emotional line. In 2020, if we continue to engage in the confrontation between "Miss Madness" and "Old Antique" if we write women's stories now, who wants to watch...
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