The relatively dense and shallow laughter makes this film lean towards light comedy, lacking in depth, and the story itself is not too brilliant. Is David a bit of an appearance society? It feels easy to be scolded for women who win love by improving their appearance and enter the upper class by virtue of their relationship. The role of France (or Mr. Baron?) here may be worth pondering, after all, the experience transformed Sabrina, and then the story behind it. And why does Sabrina like David, a scumbag who treats his feelings casually... The wine glass in his butt pocket, the olives that the old man has been unable to get out, the brim of the hat that Sabrina arranged for him, and the umbrella that he said he should not bring to France. Point is a little more interesting. The question of front and rear seats (class) may be dig deeper: Strictly and spontaneously non-violent like a father, or fearless like a daughter? Is there only one way to overcome the barriers between classes by winning the favor of the upper classes? Sabrina caused conflicts within the bourgeoisie and changed roles between the older brother and the younger brother, and I am looking forward to how it will develop in the future. I can understand this turning point of the male protagonist Linus, but it is still unacceptable. Perhaps it has something to do with Humphrey Bogart's gloomy image and temperament and the resolute and ruthless characteristics of Linus in the early stage of the film.
(Every time I write a movie review, it's because I can't write a short review...)
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