In the camouflaged real shot, the director himself is the driver, driving a taxi to carry passengers, all kinds of things, and the car is equipped with a camera, and the director also adjusts the lens from time to time to follow the shooting. In fact, it is definitely not just the camera lens in the car, just like the director is definitely not just a taxi driver, they are all cameos, which probably blurs the film and reality. In the film, the director's little niece is also filming with a camera in her hand, and there is even a photographer filming an episode of a couple of newlyweds. The film also uses the little niece's mouth to express many limitations of Iranian films, as if to explore what is real ? What is a good person? By name? clothing? What should be banned the most? Women go to play ball? Female lawyers who are actively involved in social affairs? Or the director who used the lens to faithfully record what was going on? Or the theft that is shown multiple times in the film in different ways? At first, I thought the director was using this semi-realistic way to show off his skills. I didn't like this kind of cleverness, but in retrospect, I think the director deliberately blurred the film and reality, hoping to make people think. Of course, maybe I overinterpreted, But no matter what, I didn't like it very much. I just finished watching it and didn't give up the film. Thinking about it, it was also the first Iranian film I watched that was filmed in the city. Before, I almost thought that Iran was khaki, khaki hillsides, khaki houses, dirty people... So, the movie is especially famous Movies are really national business cards
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