Between the virtual and the real, there is still a tower-style ideological world, but this time the director aimed the film at himself. To a certain extent, all the characters in the film are completing a spiritual anatomy of the tower-style itself. Gloomy childhood, failed marriage, broken mother-child relationship, cynical middle-aged and young people, eternal and painful war, and nostalgia for the mother in childhood, all of which are like some kind of real and false projection of the dream to the reality of tower life , Between the true and the false, it returns to the beginning, the beginning of the movie, the towering style of the unspeakable, but the spiritual world is full of endless contradictions. What remains unchanged is the nostalgia for beauty. The beautiful parts of the movie, such as the lost doctor's romantic encounter with his mother, or the happy laughter of the baby, or the nostalgia for his mother, all fully present the tower-style sensitivity, Contradictions, struggles, but always carry a kind of beautiful spiritual world. This work is more like a mental anatomy of the tower itself. If Freud saw this work, he would probably be able to sigh with emotion. It turns out that the world of images can also achieve a kind of psychological analysis on the psychological level! I have always regretted one thing. If there is anyone else who can perfectly visualize the works of Dostoevsky, it is probably only the tower, but the tower has never photographed the works of this unattainable master in the literary world. ! descendants, even more unlikely. Video 100 points Script 100 points Director 100 points Performance 100 points Innovation 100 points Works 100 points Content factor 1 Film history 100 points
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