hope to bring us happiness

Nyasia 2022-03-21 09:02:17

Frustrated with amnesia, Pete came to Lawson, a town that was devastated after the trauma of the war, and was mistaken for "Luke" who disappeared in the war. The whole town, especially Luke's father Harry, glowed from the haze With the new machine, the people in the town celebrated with laughter and forgot all the unhappiness of the past. This is the happiness we hope to bring to people. The moment Harry took off Luke's shoes, the joy in the old father's eyes could not help but bring tears to his eyes. This is the greatest strength of warmth.

In the days that followed, the town was full of laughter and laughter, except for Bob who couldn't get out of the shadows. All the people come alive, The Majestic Palace cinema reopened with the help of Luke, the old staff became happy, everything was going in the right direction, except Harry's sudden death made the film gloomy, I think Harry must have suffered from an illness caused by missing his son too much for nine and a half years, but fortunately, until his death he was sure that his son was back, and I think he would be happy even if he left.

I don't really understand the plot of the whole movie after Pete regained his memory, but I only understand that he refused to join forces with those politicians for the sake of freedom and hope in court. If he did, the people in the town also accepted him again, and he and Adele finally got together and had a happy ending. While Luke is gone, Pete returns with new hope and joy.

Good.

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Extended Reading

The Majestic quotes

  • Peter Appleton: I'm sorry... but it occurs to me that there is a bigger issue today than whether or not I'm a Communist.

    Elvin Clyde: Bigger issue? Mr. Appleton, there 'is' no bigger issue.

    Peter Appleton: Actually, not to be contrary, I think there is... Gosh, I don't quite know what to say.

    [Peter takes a drink of water]

    Peter Appleton: The fact is I... I've never been a man of great conviction. I never saw the percentage in it... and quite frankly, I suppose I, uh... lacked the courage. See, I'm not like Luke Trimble. He had the market cornered on those things. I never met the guy, but I feel like I've gotten to know him. The thing is, I can't help wondering what he'd say... if he were standing here right now. You know, I think what I think he'd probably tell you: the America represented in this room... is not the America he died defending.

    [the crowd noise in the background rises]

    Peter Appleton: I think he'd tell you your America is bitter...

    [Congressman Doyle begins banging his gavel]

    Peter Appleton: and cruel... and small.

    Congressman Doyle: The chamber will come to order!

    Peter Appleton: I know for a fact that his America was big... bigger than you could imagine... with a wide open heart

    [Congressman Doyle bangs the gavel again]

    Peter Appleton: ... where every person...

    Congressman Doyle: Mr. Appleton! You are out of order!

    Peter Appleton: [Speaking over Congressman Doyle] ... has a voice! Even if you don't like what they have to say.

    Congressman Doyle: Enough, Sir! You are out of order!

    Peter Appleton: If he 'were' here, I wonder how you'd respond... if you could explain to him what happened to his America.

    Congressman Doyle: Mr. Appleton, you are skating on the very thin edge of contempt.

    Peter Appleton: Well that's the first thing I've heard today that I completely agree with!

    Kevin Bannerman: Mr. Chairman... Mr. Chairman... Mr. Chairman... Mr. Chairman, my client is clearly under an enormous strain as a direct result of the belligerent questioning of Mr. Clyde, and he is therefore not responsible for his comments. At this time, we wish to invoke the Fifth Amendment.

    Peter Appleton: No, no we don't.

    Kevin Bannerman: Yes, Pete, we do.

    Peter Appleton: No, Kevin, we don't, so knock it off!

    [pounds his fist on the table for punctuation, quieting the crowd]

    Peter Appleton: [in a quieter voice] Just shut the hell up and let me get through this.

  • [first lines]

    Studio Executive: What about the kid?

    Studio Executive: What kid?

    Studio Executive: You know, the kid who rings the bell.

    Studio Executive: What kid? What bell? What are you talking about?

    Studio Executive: The kid. After the mine caves in. The kid. He runs up the hill. He rings the bell to alert the town.

    Studio Executive: Is that in the script? What page are we on?

    Studio Executive: What if we gave the kid - a disease.

    Studio Executive: A disease?

    Studio Executive: A *disease*. Braces on the legs, that sort of thing.

    Studio Executive: But he runs up the hill.

    Studio Executive: He could hobble.

    Studio Executive: Hobble is good.