This is a very surprising animation for me. Originally, I just wanted to relax and watch it because I saw the trailer and felt it was a very happy animation. Unexpectedly, the question discussed by such a cartoon turned out to be whether we should do our best to get rid of evil. And the last film and television drama I watched that talked about the task of eliminating evil was Tiansheng Long Song. While watching the movie, Sterling and Walter were arguing about whether to kill the bad guys with fire and fire, or use Walter's better way to avoid killing, I was thinking of Ning Yi and Feng Zhiwei and sighed about the magical connection (maybe My brain circuit is peculiar), and I also lament the depth of animation.
The rhythm of the whole film is brisk, very joyful, and the characters are three-dimensional and coherent. After all, it is a feature film, the story structure is relatively simple, the characters are clear and clear, and the conflict is also designed to catch people's hearts. At the last moment, although I knew that Walter would be fine, but the stake was broken, and Walter was still very nervous when he was taken up high. After I was nervous, the most touching scene of the whole film came to me. The progress bar has been completed, press yes, and both Walter and the villain will fall to death. This is against Walter's original intention. If you choose no, all the agents and staff gathered at the headquarters will all die. It looks like the familiar problem of train tracks, with 1 child on the abandoned railway and 5 children in front of the running track. How do you choose, Walter?
Walter's answer, unexpected but not unexpected, but this answer is really Walter! Water, who only did a little thought, said No, (I'm not a killer), I'm a hugger! with a firm look in his eyes, and at the same time took out a small metal instrument and stuck it on the bad guy's shirt. Resolutely let go of his hand and pressed yes. The villain was wrapped heavily by the protective isolation ball invented by Walter, and everyone in the agent headquarters on the other side was rescued because the program stopped. Only Walter started to free fall, and at this moment his nose was sore and his tears were hardened. Of course, the protagonist's halo is shrouded in it, and Walter will definitely be rescued.
Probably because parents need to accompany their children to watch cartoons, the market audience of cartoons has always been children and adults. Therefore, a good cartoon needs to not only satisfy children's viewing pleasure, but also make adults find it interesting and even think. Thinking about this, I really admire the screenwriter and production of the cartoon, this is really amazing!
I almost forgot that the brand in this film was implanted into Audi etron, beautiful! As the coolest and most handsome top agent sterling's car, it is naturally super cool! Since it's a secret agent theme, how can there be less drama about driving and chasing! That cool car scene of self-driving is still very nice, even though it's in the cartoon?
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