Marcelo and his wife complement each other perfectly, precisely because of their willingness to degenerate before marriage - the husband indulges in the temptation of the old driver, the wife lingers on the sexual desire of the bad uncle...
If there is any metaphor worth pointing out here, it is the powerlessness and self-degeneration of the weak in the presence of the strong. However, when the "strong" side collapses, when Marcelo becomes a middle-aged man, the forced side It should be counterattack, isn't it?
Don't be the blind man who sings praises to the radio
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