Seduction and Fall

Marge 2022-03-26 09:01:10

The fascinating thing is that it has created an extremely complex male protagonist, a fascist who is erotic, fearful, cowardly, and overwhelmed - the fact that he does not identify with any kind of ism in his heart really affects his value. Judging by the old Catholic morality and ethics, by which he was bound, tortured, distorted, and turned around and disguised himself as an elite conforming to society in the cracks of history, and in Bertolucci's view, these two points may It is the hotbed of the birth of fascism: the lost traditional morality (a certain rupture in history? rebellion against patriarchy?) under the constant impact and fanatical transformation of the radical social system, has formed a historical two-way choice, "White Ribbon" "is also like this. Photography, color, scheduling, and framing (architecture) have an operatic feel, which is Bertolucci's work that established his personal style. [Supplement] The importance of the narrative structure of the film was ignored before, and the mental journey reflected by the flashback structure created suspense—rescuing or watching the death of a lover, and at the same time reshaped the gradually cowardly mental journey of the “contemporaries”—personal is also national history.

Torrey 2022-03-28 09:01:08

The originally complicated political society and human nature made the director's tricks more elusive, complicated things more complicated, and the relationship logic that he didn't understand even more elusive. This is the trick of some famous directors. Everything is flat and perceptible, but everything only stays at the sensory level.