The smash hit Hong Kong film, with the audience's aesthetic fatigue and appreciation level, as well as the downturn in the Hong Kong film industry in recent years, especially the lack of success of stars with real kung fu, has led to people's dissatisfaction with the level of Hong Kong films diving.
Star-studded people will be criticized for having a boring plot, idols will be criticized for being incapable of action, and they will still be criticized for having no plot if they appear in real kung fu. For Hong Kong films in the downturn, the audience always seems to love and take responsibility.
There is a sequence of hearings, and there are specialties in the tree industry. We criticized the literary dramas of Jet Li and Donnie Yen, but is their level really worse than the martial arts dramas of Tony Leung.
It's true that Donnie Yen's performance in "In the Mood for Love" must be unwatched, and the same is true of Tony Leung's performance in "The Fuse".
Although the movie is the first in acting skills, for kung fu movies, do you like to watch a child fight with a tight plot and profound literary drama, or the plot has some loopholes, and it is unreasonable but real kung fu.
At least I think this film is still a relatively good Hong Kong film, the plot is not bad, just simple. The positive and negative camps opened their stance at the beginning, and then they did it with real swords and guns. There are useless plots, but less unreasonable, except for the female policewoman who automatically kills herself, and the remote-controlled bomber who likes to climb stairs.
Donnie Yen uses a lot of wrestling skills in this film's martial arts, which is very different from the previous style. The last fight with Zou Zhaolong is indeed very exciting, which is something you can't play.
Maybe it's really because Hong Kong movies are in recession. Now every famous movie is full of stars. I haven't seen Lu Liangwei for a long time, and I really didn't recognize it at first glance.
Louis Koo has played a lot of punks, and he is getting less and less handsome. Of course, this film will not be as shocking and ugly as "The Disciple", but I still feel a little uncomfortable. At first I thought Fan Bingbing was pretty, maybe because of the makeup, this time the makeup was a little softer, slightly inconsistent with the identity of a wine-selling girl, but it just fit my type.
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