In the end, he imprisoned the face of his lover and his son with his broken heart in this empty room, and every day he spurred the heart that once climbed high-rise buildings for love, the pain of losing the blood of a loved one and the fiery addiction which turned into a nightmare first , to accompany countless nights of waking up alone, perhaps the photos will soon become specimens, and the opening is full of dust.
When I was shocked to hear that the heroine's 15-year-old brother had to choose to commit suicide because he possessed her, I began to doubt the heroine's charm. She can't be so beautiful, right? When I pitied the male protagonist when he saw the female protagonist having sex with his son, he smiled and then turned into a heart-wrenching state of suffering. I began to doubt the identity of the male protagonist. What kind of woman has he never seen before? When the second male fell off the platform dramatically, I believed everything in the story, and then the director completely tore the pure veil of love with one scene, and took on two transitions at the same time. It needs a transition. In terms of emotion, it is a transition from romance to cruelty. This scene can definitely be included in the list of famous scenes of couples arguing about cheating. At present, I also want to put Xu Fan and Zhang Guoli in "A Sigh" in their new decoration. The scene of the quarrel in their house was added, and they have something in common, that is, a few words of confrontation, and the evils of marriage are exposed. The always elegant female second asked the male protagonist with a face of self-mutilation: Why don't you commit suicide? I can at least mourn for you, shed a few tears, wake up the next morning, she said, everyone has his favorite, Martin for me, Anna for you, Anna for Anna, who is it?
When love turned into an indirect murder, the burning passion it had had finally turned into years, turned into a huge picture on the wall, leaving you and me to quietly reminisce before arriving at nothingness.
There are still a few points that I feel the most deeply, one is the shaping of the director's charm of Binoche; the second is the erotic drama from restraint to openness; the third is the soundtrack that is highly compatible with the characters' psychology and runs through.
1. The director definitely made the most beautiful Binoche. Teresa is fierce in "Love in Prague", Michelle is fragile in "Lovers in Newbridge", the little nurse is kind in "The English Patient", the philosophy of an antique dealer in "Legacy Copies", but in "Lover on Fire" The Anna is sexy, elegant, fragile, selfish, strong and mysterious. She changed from a beauty to a bad person, and finally became "another woman". She is a raging flame in a man's heart and an eternal tragedy.
2. What can we gain from restraint? The director must have done a lot of meticulous ideas for the first time the two of them were in the cloud and rain, so in the end what was presented was a very restrained but sultry soul meeting. The heroine was wearing a white shirt, buttoned even to the first one. The arms are fully extended instead of the thighs. The female protagonist only exposed the inner thighs in this scene. After a short exploration, the male protagonist couldn't help but scream. It was suppressed for several years or ten years or even dozens of years Years of lust is released, and then the camera turns to the male protagonist dressed up and ready to leave, the female protagonist wrapped in a black bath towel and sitting on the sofa thoughtfully, this scene seems to imply the ultimate fate of this love, make love and then leave. Every time they meet, they make love with an urgent mood. If the second erotic scene really arouses the audience's sensitivity to sex, and the pure play of sexual intercourse is breathtaking, then the third completely naked eroticism The play implies more overtones. They put their hands on each other's eyes to enlighten everyone that love makes people blind, and the gesture of making love with dance elements symbolizes the destructiveness of love. The last destructive sex scene is no different from any familiar couple having sex. They built their own den, completely handed over their bodies to Aphrodite, and finally could lie in bed and have a serious sex in peace. It turned out to be the shortest one ever.
3. The soundtrack of the movie "The Lover of Fire", the playlist is from NetEase Cloud Music, the album "Damage", composed by Zbigniew Presiner
1. Introduction 00:16_01:54
2. "The last time" 01:27:13_01:30:12
3. Stpehen l 05;40_06:20
4. "At the beginning" 10:15_11:51 14;36_15:04
5. Cafe Royal
6. "Anna ll" 20:45_22:06
7. "Intimacy"
8. "Brussels-Paris" 30:17_30:45 30:55_31:12
9. "Lutecia Hotel" 35:04_35:28 36;20_36:32
10. Memories 50:47_52:50
11. "In the Country" (intermittent use of the second female family celebrating their birthday at the manor)
12. "The Night" 01:32:00_01:32:35
13. "Dramatic Depature" (same as "Introduction")
14. "Late Thought" (same as "night" and "fatal exit")
15. "Stephen ll" 37:02_37:44 01:03:40-01:04:23 (higher than Stephen l key)
16. "The last time ll" (same as "Last time" l)
17. "Fatal Exit" (same as "night" and "fatal exit")
18. "Memories are made of this" 01:44:28_01:47:53
19. "Damage" 01:47:54_01:48:33
20. "End Title"
Any further corrections are welcome.
View more about Damage reviews
