In comparison, the story is too complete. Evening, in the twilight years, even the most unforgettable day in life will eventually be washed into fragments by time; every time it is inadvertently unfolded in my mind, some colors will be absorbed by the years; what is often left is only trembling details, like " In Hours, Nicole Kidman's conversation with the sparrow, Julianne Moore's flustered kiss... I can't recall such details in "Evening", and I can't see the ingenious transition between different lives like "Hours".
The intention of "Evening" is somewhat close to that of "Hours", but it is much more straightforward than "Hours". Everyone is trying to break free from the mediocrity of life and walk out of the most beautiful scenery in life. Nicole Kidman has an uncompromising determination, a mournful admiration to see her submerged, her rejection of an imperfect life. Julianne Moore originally only gave herself the option of black or white, either the cry of her son or the kicking and beating of the baby in her womb. She chose the gray between black and white at the last moment. It can be said that this is not a kind of courage ? For Meryl Streep, on the left is an old lover who is reluctant to ask for completeness, and on the right is a happy daughter, which side? "Evening" is obviously a lot more positive. Children are the hope of everything, and shortcomings are part of life.
I will also be moved by the attitude towards life conveyed by "Evening", but its tendency is more than one or two grades apart from that of "Hours".
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