The movie starts out pretty normal, and it's not uncommon for a clan leader to die, beginning with a funeral death. When I saw that flying saucer-shaped drone, I was stunned, and then I was ravaged by the strange plot going crazy. After seeing the end, I found out that this is an anti-ancestral ceremony for future human beings, a violent carnival.
Abandon the Brazilian political status quo reflected by the director and just watch the plot of the movie. This allegorical film is also amazing enough. The whole movie has a certain sci-fi color and mystery. As an isolated small community, Barclaws have their own unique way of life and logic of life. And Barclaws are also the biggest obstacle in the mayoral election, so he found someone to get rid of the Barclaws people (???), this is a big wtf, the first time I saw such a domineering mayor, kill them all All those who do not support themselves, leave this aside. Because the main thing is the wonderful place where the alien civilization invades the tribe. It is not so much the invasion of primitive tribes by modern civilization as it is a confrontation between modern violence and ancient violence. The sense of mystery of sacrifice in the tribe, the mysterious hallucinogenic pills that every tribe eats, brings a sense of solemnity. Very oppressive. With the constant mysterious death of the tribe, the bullet holes in the water truck, all this has brought great pressure to this tribe, they chose to take up arms, as we can see in the Barclau Museum, what they took out was Weapons in history, and the scene where the old white man was caught at the end has a feeling of ancestral shelter. In the end, when the clansmen cut off the heads of all the invaders and photographed them in a row, the visual sense was unparalleled and very hard-core. For the first evil, the mayoral candidate was banished to a place full of thorns, and the old white man was buried alive and drowned in darkness forever.
In the violent struggle between modern civilization and anti-ancestral tribes, the tribe's victory ended. This allegorical film alludes to the anti-ancestralization of Brazil’s political status quo, as well as a reflection on modern civilization. Violence and sex, as permanent parts of human genes, have always been taboos, and once taboos appear, it means Presumptive. As far as sex is concerned, human beings move from primitive to civilization, which means that sex is no longer open, becoming private and unspeakable, so whether sexual openness and open relationship mean an anti-ancestry to some extent. And what is called violence? I don't know. Maybe Barclaws will be a future home.
View more about Bacurau reviews
