Objectively speaking, the settings of the three story lines are in the same line, and there is no very disconnection. The script is obviously considered as a whole. As someone who has seen Shenxia before and has no feeling, this time it touched my pain point. I feel much better than before. The nun this time is also on the IQ line, but she is obviously much cuter than Shenxia. In short, she does not pretend to be forceful. But I also want to say that the third episode has a real problem, that is: the object who chose to interpret the theme did not perform well.
What is Lucy, the bride at the core, the plot needs her characters to solve the ultimate answer: what is Dracula looking for. In each episode, Dracula creates a "bride" for "reproduction". The so-called reproduction is survival. Human beings will die so they need to have babies. Why does the immortal Dracula need to reproduce? Unless he is "not alive at all" ". Therefore, the meaning of shaping the search for a bride is to find the missing part of himself, so that he can be whole and can be called "living".
According to this logic, in the first episode, what he asked for in Jonathan was "goodness", and the complementary hints set up his original image of "evil". In the second episode, what Sister Fan seeks is "self-control/control". The two players play chess and dance tango all the way, which also highlights the theme of "restraint". These two episodes show a progressive relationship. Dracula is always hungry and thirsty. In the process of absorbing goodwill, he met the best sister Fan who was willing to kill herself. Through the stimulation of playing cat-and-mouse games, he achieved a "sense of survival", and at the same time the selection of the crowd on board and the so-called "training self-control" It is also a straightforward expression of the subject.
It stands to reason that the next step should be the most profound. The bad thing is that Lucy's filming is a little superficial, and the meaning is still unfinished. It has no characteristics and is not worth taking as a climax.
Logically still. In the third episode, there are many 500-year-old grandpas complaining about modern life, all the way to lucy's meaninglessness of death/life, because she is beautiful, things come very easily, and after getting benefits, she can't help but follow everything prominently The code of conduct of her beautiful skin, this kind of life makes her have a natural yearning for things like pain, illness and death, and such a person can only be created by modern society. In other words, lucy is really not special. If you don't look for her, you can find Mary, rose, claire... but the mobile phone that goes along just happens to be able to lead to this girl. In this era, the emptiness of humans floating in the air is what the third episode wants to express. mean. After reading this paragraph, I knew what was wrong with execution. I could feel most of the information he wanted to express, but it was like watching an embarrassing car accident scene.
The final complement of the two in the ending theoretically satisfies Dracula's motive for finding a bride, but this doc Phil-type public psychological analysis is really. . . . Rude, proceed to the crash scene.
Leaving aside the execution issues of the last episode, the rest are all good: classic gothic color + traditional horror plot + detective reasoning mode + British humor. The style fusion is natural, there is nothing to talk about, and the overall score is stable.
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