The film super-figurative in-laws relationships.
Love is sweet, and weddings are happy, but when entering an in-laws relationship, some people don’t like you (the male lead’s aunt), some people pretend to like you, and some people may really love you from beginning to end. Like you (the male protagonist's brother), some people only like you more at the beginning (the male protagonist's mother), some people don't take you seriously at all (fat brother-in-law), some people you think he is pure and kind, but they are not (the little nephew is pure To raise the hand is a shot).
The person who brought you into the in-laws relationship because of love, the person you love so much swears that you are his heart, you are his liver, you are his life, you make his life whole , you make him a better person, he will use his life or even his own life to protect you, love you, cherish you, all his life. Maybe he was actually fulfilling his promise at the beginning, but over time, under the help of his own blood, it became the heaviest blow.
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"The turning point should be when the hero witnesses his brother's death, and the heroine fights back against his mother.
Although my mother wants to kill you, and my whole family is chasing you, how can you kill my mother? My mother gave birth and raised me so hard, even if she wants to kill you, you shouldn't kill her in self-defense I feel sorry for my own child; other people's mothers are not hard, not great, and have no feelings and will not feel sorry for their own children. Are you just a walking womb? Although the heroine is an orphan, there are no biological parents, only adoptive parents. , so what's the matter, falling in love with you is a good thing, right?)
The sacrifice failed, the in-laws all exploded, and the mother had to repair it with the girls.
But sorry old lady won't play with you anymore. 』
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Life is too long to make promises. A lifetime is too short to cultivate into unwavering love.
The last two lines of dialogue in the movie fulfill my perceptions above (proves that it is not an over-interpretation/imagination of the fear of marriage, even if it is just that the director is a fear of marriage, and the director over-interprets the in-laws relationship):
The ambulance staff saw the bride dyed red and black with blood, squatting on the steps with injuries, and asked in surprise:
"Jesus Christ, what happened to you?"
The azure blue pupils of the bride, who was full of blood and embarrassment, was no longer happy:
"In-laws"
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Marriage, you thinks you are ready but always not.
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